History
The theatre was originally built in 1835 and 1836, and takes its name from the nearby Kompira Shrine which is in turn named after the Hindu/Buddhist deity Kumbhira to which the shrine is dedicated. Prior to its construction, small temporary theatres were frequently built on the site, and doubled as lottery halls. The design was based on that of the Ōnishi Theatre of Osaka, and the construction costs, amounting to roughly 1000 ryō, were raised by the local geisha community.
The theatre was originally controlled by the Kanemitsu-in, a local Buddhist temple, but in 1877 came to be owned by a man by the name of Kyōhō, an otokodate, wealthy merchant, gang leader, and head of the local fire brigade. He changed the name of the theatre to the Inari-za (named after the Shintō deity Inari), and ran full-day programs as many other major theatres throughout the country began to cut down and only show selected scenes for a few hours a day. The theatre was purchased in 1897 by a man by the name of Kawazoe Sadaji, who changed its name to Chitose-za (One Thousand Years Theatre), and sold it three years later. Kanamaru Genjirō thus obtained the theater in 1900, for 4500 yen, and renamed it once again, to the Kanamaru-za, a name which continues to be used today.
After falling into disuse for many years, and being used as a movie theater for some time, the theatre was designated an Important Cultural Property by the Agency for Cultural Affairs of the national government in 1970, after having been designated as such by the prefecture in 1953. Following a fund-raising drive which raised over US$2 million, the theatre was restored in 1976 to its Edo period appearance and moved some 200 meters to a new location.
In late June 1985, a troupe led by Nakamura Kichiemon II and Sawamura Sōjūrō IX performed the play Saikai Zakura Misome no Kiyomizu ("Reunion Amongst the Cherry Blossoms After the First Meeting at Kiyomizu") and dance drama Niwakajishi ("Spirited Lion"), at the Kanamaru-za, in a three-day stint following performances at the Naka-za in Osaka. Kichiemon was impressed with the theatre's atmosphere and traditional design and amenities, and encouraged other actors to journey to Kotohira. A month-long program has been produced every spring since, featuring major Tokyo/Osaka actors.
Much of the 1995 film Sharaku, set in 1790s Edo and revolving around the life of ukiyo-e artist Sharaku, was filmed at the Konpira Theatre, which stood in for the no longer extant Nakamura-za.
Read more about this topic: Konpira Grand Theatre
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“The true theater of history is therefore the temperate zone.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“It may be well to remember that the highest level of moral aspiration recorded in history was reached by a few ancient Jews—Micah, Isaiah, and the rest—who took no count whatever of what might not happen to them after death. It is not obvious to me why the same point should not by and by be reached by the Gentiles.”
—Thomas Henry Huxley (1825–95)
“A people without history
Is not redeemed from time, for history is a pattern
Of timeless moments.”
—T.S. (Thomas Stearns)