Work
Knox Martin is best known for his repertory of signs and symbols that allude to nature and, in particular, to the female form. Flatly and freely painted in brilliant colors, his works have often been executed on a grand scale, as in the outdoor wall painting, Woman with bicycle, at West Houston and MacDougal Streets in Manhattan. He mostly creates painting, sculpture and wall paintings using media such as acrylic, collage, fresco, ink drawing (Pen and Ink), Mixed-Media/Multi-Media and oil.
One of his wall paintings in New York City is the twelve-story mural Venus. Painted in 1970, Venus is located on the south side of Bayview Correctional Facility at 19th Street and the West Side Highway.
"Traditionally the goddess of love and fertility, Venus represents woman, erotic and supple, but it also conveys Knox Martin's love affair with New York. Venus is his love poem to the city where he has always lived, a place that is part of his being. The feminine, curvilinear shapes of the image are in direct contrast with the straight forms that intersect the composition. The overwhelming size of this enormous mural only intensifies the experience of female shapes, the linear aspects of the painted composition, and of the surrounding architecture. In an era when art was reaching out to the masses with pop culture, this huge mural was Knox Martin's way of touching a public that would never venture into an art gallery."
(As of 2010, Venus remains largely hidden by an adjacent building).
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Famous quotes containing the word work:
“How marvellous it all is! Built not by saints and angels, but the work of men’s hands; cemented with men’s honest blood and with a world of tears, welded by the best brains of centuries past; not without the taint and reproach incidental to all human work, but constructed on the whole with pure and splendid purpose. Human, and yet not wholly human—for the most heedless and the most cynical must see the finger of the Divine.”
—Archibald Philip Primrose, 5th Earl Rosebery (1847–1929)
“The true poem is not that which the public read. There is always a poem not printed on paper,... in the poet’s life. It is what he has become through his work. Not how is the idea expressed in stone, or on canvas or paper, is the question, but how far it has obtained form and expression in the life of the artist. His true work will not stand in any prince’s gallery.”
—Henry David Thoreau (1817–1862)
“People run away from the name subsidy. It is a subsidy. I am not afraid to call it so. It is paid for the purpose of giving a merchant marine to the whole country so that the trade of the whole country will be benefitted thereby, and the men running the ships will of course make a reasonable profit.... Unless we have a merchant marine, our navy if called upon for offensive or defensive work is going to be most defective.”
—William Howard Taft (1857–1930)