Work
Knox Martin is best known for his repertory of signs and symbols that allude to nature and, in particular, to the female form. Flatly and freely painted in brilliant colors, his works have often been executed on a grand scale, as in the outdoor wall painting, Woman with bicycle, at West Houston and MacDougal Streets in Manhattan. He mostly creates painting, sculpture and wall paintings using media such as acrylic, collage, fresco, ink drawing (Pen and Ink), Mixed-Media/Multi-Media and oil.
One of his wall paintings in New York City is the twelve-story mural Venus. Painted in 1970, Venus is located on the south side of Bayview Correctional Facility at 19th Street and the West Side Highway.
"Traditionally the goddess of love and fertility, Venus represents woman, erotic and supple, but it also conveys Knox Martin's love affair with New York. Venus is his love poem to the city where he has always lived, a place that is part of his being. The feminine, curvilinear shapes of the image are in direct contrast with the straight forms that intersect the composition. The overwhelming size of this enormous mural only intensifies the experience of female shapes, the linear aspects of the painted composition, and of the surrounding architecture. In an era when art was reaching out to the masses with pop culture, this huge mural was Knox Martin's way of touching a public that would never venture into an art gallery."
(As of 2010, Venus remains largely hidden by an adjacent building).
Read more about this topic: Knox Martin
Other articles related to "work, works":
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Famous quotes containing the word work:
“Nothing is so threatening to conventional values as a man who does not want to work or does not want to work at a challenging job, and most people are disturbed if a man in a well- paying job indicates ambivalence or dislike toward it.”
—Alice S. Rossi (b. 1922)
“... possibly there is no needful occupation which is wholly unbeautiful. The beauty of work depends upon the way we meet it—whether we arm ourselves each morning to attack it as an enemy that must be vanquished before night comes, or whether we open our eyes with the sunrise to welcome it as an approaching friend who will keep us delightful company all day, and who will make us feel, at evening, that the day was well worth its fatigues.”
—Lucy Larcom (1824–1893)
“Let’s holler and ask him if he won’t prescribe
For all humanity a complete rest
From all this wagery. But what’s the use
Of asking any sympathy of him?
That class of people don’t know what work is....”
—Robert Frost (1874–1963)