Attractions and Events
Sights in the town include the remains of Knaresborough Castle, Mother Shipton's petrifying well, The House in the Rock, and several cave dwellings, one a chapel, dating from the Middle Ages. Knaresborough is also the site of Ye Oldest Chymist Shoppe in England, opened in 1720. There is also the Courthouse Museum in the castle grounds.
Every year the town hosts a number of large social events, chief among them being the "Knaresborough Bed Race". Every summer since 1966, teams comprising six runners and one passenger, decorate special tube frame 'beds' for a parade through the town. Then, once the beds have been stripped of their non-essential decorations, they compete to push the bed on a race through the town. Although most teams are local, competitors often come from as far as Germany and the United States have taken part. The 2011 event attracted 25,000 people to the town.
There is also a yearly arts festival, FEVA (Festival of Entertainment and Visual Arts), which has been running since 2001. This takes place in the summer in various parts of the town centre.
The town was used to film the opening election sequence in the first episode of the ITV comedy series The New Statesman and some exterior shots for the series were also filmed around Knaresborough.
The Borough Bailiff Pub is known to be the oldest pub in Knaresborough. It is currently under ownership of Samuel Smiths Brewery
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Famous quotes containing the words attractions and/or events:
“The world,—this shadow of the soul, or other me, lies wide around. Its attractions are the keys which unlock my thoughts and make me acquainted with myself. I run eagerly into this resounding tumult. I grasp the hands of those next to me, and take my place in the ring to suffer and to work, taught by an instinct, that so shall the dumb abyss be vocal with speech.”
—Ralph Waldo Emerson (1803–1882)
“When the world was half a thousand years younger all events had much sharper outlines than now. The distance between sadness and joy, between good and bad fortune, seemed to be much greater than for us; every experience had that degree of directness and absoluteness which joy and sadness still have in the mind of a child”
—Johan Huizinga (1872–1945)