Kissing You (Des'ree Song) - Reception

Reception

New Statesman's Lisa Jardine noted "Kissing You" as "a high point" of the film. J. D. Considine wrote for The Baltimore Sun that "the tremulous intensity of Des'ree's 'Kissing You' has more emotional impact than many films". In a review of Supernatural for Entertainment Weekly, Considine later commended the "throaty emotionalism" with which Des'ree sang "Kissing You". Jim Farber from the Daily News noted the song as the standout track from Supernatural and claimed that it "stands as the only track to deepen the mood, bringing out the indigo pleasures of her voice." The Richmond Times-Dispatch's Kate Lipper called the record "an excellent slow song that you can play nonstop". However, Ann Powers from The New York Times wrote that Des'ree is too melodramatic on "Kissing You". In an interview with The Sunday Telegraph, Charlotte Church described the song as one of her favourites: "This is one of the most beautiful songs I've ever heard. It's an original sound and they sing it so well. There's no beat, it's just a lovely, lulling song." "Kissing You" debuted on the Australian ARIA Singles Chart at number forty-two on the week ending 9 March 1997. It rose to its peak position of number seventeen on 20 April 1997, and slipped of the chart in June, having spent thirteen weeks on the chart. In December 2010, "I'm Kissing You" entered the UK Singles Chart at number 137.

Read more about this topic:  Kissing You (Des'ree Song)

Famous quotes containing the word reception:

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)

    To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.
    Ralph Waldo Emerson (1803–1882)

    He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!
    Billy Wilder (b. 1906)