Plot
Two prisoners, Luis Molina and ValentÃn Arregui, share a cell in a Buenos Aires Prison. It is estimated that the timeframe in which the story takes place is between September 9, 1975 through October 8, 1975. Molina, an effeminate and openly homosexual window-dresser, is in jail for "corruption of a minor," while ValentÃn is a political prisoner who is part of a revolutionary group trying to overthrow the government. The two men, seemingly opposites in every way, form an intimate bond in their cell, and their relationship changes both of them in profound ways. Molina recounts various films he has seen to Valentin in order for them both to forget their situation. Toward the middle of the novel the reader finds out that Molina is actually a spy that is sent to Valentin's jail to befriend him and try to extract information about his organization. Molina gets provisions from the outside for his cooperation with the officials with the hopes of keeping up appearances that his mother comes to visit him (thus making a reason for him to leave the cell when he reports to the warden). It is through his general acts of kindness to Valentin that the two fall into a romance and become lovers however briefly. For his cooperation Molina is parolled. On the day he leaves, Valentin has him take a message to his revolutionary group outside. Little does he know that he is also being followed by government agents, trying to find the location of the group. Molina dies in a shootout between the police and Valentin's group. In the end of the novel we are left in Valentin's stream of consciousness after he has been given an anesthetic by a doctor following a brutal torture, in which he imagines himself sailing away with his beloved Marta.
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Famous quotes containing the word plot:
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)