King of The Delta Blues Singers - Music

Music

The album compiles sixteen mono recordings, thirteen of which were previously available as 78s on the Vocalion label, originally recorded during two sessions in 1936 and 1937. The records sold well in their target market of the American south and southwest, with "Terraplane Blues" something of a regional hit, but their sales figures were never beyond 5000 or so in total. By the time this album appeared, Johnson was mostly rumor, if known at all, except to a small group of collectors and those who had purchased the original 78s. An advance copy of the album was given by its instigator, John Hammond, to his newest signing to Columbia, Bob Dylan, who had never heard of Johnson and became mesmerized by the intensity of the recordings.

Hammond, who had initially searched for Johnson in 1938 to include him on the bill for the first of his From Spirituals to Swing concerts, prodded Columbia to assemble this record during the height of the folk revival. It was the first of the retrospective albums for folk, country, and blues artists of the 1920s and 1930s rediscovered in the wake of that revival, some of whom would be located and invited to appear at events such as the Newport Folk Festival. Nevertheless, Johnson's LP failed to make the charts, but the quality of Johnson's music was recognized and Johnson's reputation grew. The album became a badge of hip taste in the 1960s, evidenced by its appearance in the album cover photo to Bob Dylan's Bringing It All Back Home amid various emblems of bohemian life. Songs from the album were repeatedly covered throughout the decade by many artists, notably Eric Clapton who recorded "Ramblin' On My Mind" on John Mayall's 1966 classic Bluesbreakers album, and "Cross Road Blues" with his own power trio Cream on the 1968 album Wheels of Fire. Clapton would later record an entire disc of Johnson's songs, Me and Mr. Johnson.

Read more about this topic:  King Of The Delta Blues Singers

Famous quotes containing the word music:

    Noble and wise men once believed in the music of the spheres: noble and wise men still continue to believe in the “moral significance of existence.” But one day even this sphere-music will no longer be audible to them! They will wake up and take note that their ears were dreaming.
    Friedrich Nietzsche (1844–1900)

    Always, however brutal an age may actually have been, its style transmits its music only.
    André Malraux (1901–1976)

    Let us describe the education of our men.... What then is the education to be? Perhaps we could hardly find a better than that which the experience of the past has already discovered, which consists, I believe, in gymnastic, for the body, and music for the mind.
    Plato (c. 427–347 B.C.)