Impact and Recognition
Kim Wilde holds the record for being the most-charted British solo female act of the 1980s, with seventeen UK Top 40 hit singles throughout the decade (including her duets with Junior Giscombe and Mel Smith).
A number of artists have performed covers of Kim Wilde songs, ranging from pop and rock to dance and death metal versions. In 1991, Lawnmower Deth released their version of "Kids in America" as a single. The same year, English punk rock band Toy Dolls recorded a parody of "Kids in America" called "The Kids in Tyne and Wear" on their seventh studio album, Fat Bob's Feet. In 1995, indie rock band The Muffs recorded "Kids in America", which was featured in the hit film Clueless. In 2000, Canadian band Len covered "Kids in America" for the Digimon soundtrack. American pop star Tiffany recorded a version of "Kids in America" in 2007 for her album I Think We're Alone Now: '80s Hits and More. German eurodance act Cascada, recorded a version of "Kids in America", on their Everytime We Touch album in 2007. Other famous artists to cover Kim Wilde songs are Apoptygma Berzerk, Atomic Kitten, Bloodhound Gang, James Last and Lasgo.
Wilde has provided inspiration for other artists, including Charlotte Hatherley, who wrote a song about her entitled "Kim Wilde", and included it on her debut album, Grey Will Fade. East German punk rock band Feeling B also recorded a song called "Kim Wilde", which featured on their debut album. In 1985, French singer Laurent Voulzy paid tribute to Wilde in his song "Les Nuits Sans Kim Wilde" ("Nights Without Kim Wilde"). In her graphic novel Persepolis, Iranian cartoonist Marjane Satrapi has a comic strip titled Kim Wilde. In it the main character Marji, a young Iranian girl, sings "Kids in America" in the streets of the Iranian capital. Also, when her parents go on holiday in Turkey, they buy a poster of Kim Wilde and smuggle it into Tehran for Marji. Marji pins the poster on her bedroom's wall and practices emulating Wilde.
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Famous quotes containing the words impact and/or recognition:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“No democracy can long survive which does not accept as fundamental to its very existence the recognition of the rights of minorities.”
—Franklin D. Roosevelt (1882–1945)