Career
Moyes attended the Conservatorium High School for years 11 and 12, before going on to a Bachelor of Music at the Conservatorium proper, during which time he met Julian Hamilton.
Moyes also works under the alias K.I.M and makes original music and remixes. His solo release System Breakdown was released in Japan and is available online.
Moyes played Moog synthesizer for Sydney band Prop. Moyes is also in the band The Dissociatives with Daniel Johns of Silverchair and producer Paul Mac. His producing credits include, but are not limited to, The Valentinos (now Lost Valentinos) and The Cops, both Sydney-based bands. Moyes played the vibraphone on the soundtrack to the Australian film Somersault, with Sydney-based band Decoder Ring. Moyes played drums on Yonathan Garfias' Album. Moyes played marimba on the Powderfinger song "The Metre", from their album Odyssey Number Five.
Read more about this topic: Kim Moyes
Famous quotes containing the word career:
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)