Kiki and Herb Will Die For You: Live at Carnegie Hall

Act One / Disc One

  1. "Close to it All" – 2:01
  2. Medley: "Note to Self: Don't Die / Flamingo / When Doves Cry" – 5:23
  3. "Opening Remarks" (Monologue) – 2:32
  4. "Why" – 4:05
  5. "Hoochie Coochie" (Monologue) – 4:35
  6. "Sex Bomb" – 3:11
  7. "Yasaweh" (Monologue) – 9:48
  8. "Has Anyone Ever Written Anything for You?" – 4:28
  9. "The Saddest Day of My Life" (Monologue) – 11:00
  10. "A Lover Spurned" – 5:39
  11. "Bored, Bored, Bored" (Monologue) – 6:54
  12. "The Windmills of My Mind" – 5:45
  13. "I Was Meant for the Stage" – 3:45
  14. "No Children - 3:07
  15. "Rainbow Connection" – 3:36

Act Two / Disc Two

  1. "Piña Colada Song" – 1:13
  2. "Institutionalized" – 5:59
  3. "Jazz" (Monologue) – 0:39
  4. "The Paris Match" – 5:16
  5. "I've Got to Go to Vietnam" (Monologue) – 6:46
  6. "The Revolution Medley: The Revolution Will Not Be Televised / Release Yo' Self / Lose Yourself / Once in a Lifetime" – 5:05
  7. "Dominique" – 3:13
  8. "Show Business Martyrs" (Monologue) – 9:20
  9. "The Thin Ice" – 1:40
  10. "Love Will Tear Us Apart" – 3:17
  11. "Temptation" – 4:36
  12. Medley: "Love Is a Battlefield / Total Eclipse of the Heart / Turn, Turn, Turn / You Turn Me On (I'm a Radio) / The Second Coming" – 7:31
  13. "Those Were the Days" – 7:16
  14. "Tonight's the Kind of Night" – 7:01
  15. "Ladies and Gentlemen We Are Floating in Space" – 1:36
  16. "Running Up that Hill" – 5:28

Famous quotes containing the words herb, live, carnegie and/or hall:

    “By night we lingered on the lawn,
    For underfoot the herb was dry;
    And genial warmth; and o’er the sky
    The silvery haze of summer drawn;”
    —Alfred Tennyson (1809–1892)

    “Spin and die,
    To live again as butterfly.”
    —Christina Georgina Rossetti (1830–1894)

    “I would as soon leave my son a curse as the almighty dollar.”
    —Andrew Carnegie (1835–1919)

    “The actors today really need the whip hand. They’re so lazy. They haven’t got the sense of pride in their profession that the less socially elevated musical comedy and music hall people or acrobats have. The theater has never been any good since the actors became gentlemen.”
    —W.H. (Wystan Hugh)