Plot
Kiba's main character is Zed, a 15-year-old boy who lives in a place called "Calm". Frustrated by his current situation in life he feels that somewhere out there is a place where he can live more fully. One day, at the invitation of a mysterious wind, Zed dives into a space-time crevasse (portal), seeking the answers that might be there. Riding on the wind, he is transported to a war-torn world where magic users called "Shard Casters" fight endlessly with each other, using spells in the form of marble-like "Shards". He is transported to a country known as Templar.
With the power of the Shards, the Shard Casters are able to use spells and control monsters called "Spirits". Fascinated by that power, Zed aims to become a Shard Caster. However, he still doesn't know that residing in his body is "Amil Gaoul", a mighty Spirit with the power to influence the world's future. Amil Gaoul is one of the "Key Spirits" that, when together with the other Key Spirits, can destroy or save the world. There are a total of six Key Spirits: Amil Gaoul, Pronimo, Sachira, Monardi, Jumamis and Shadin.
Zed undergoes countless trials in order to find out who he really is and what is most important to him.
Read more about this topic: Kiba (anime)
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)