Khmer Sculpture - Archeological Exploration

Archeological Exploration

Ever since 1864, when France established a Protectorate in Cambodia, Western travellers have been amazed by the impressive ruins of Angkor. Not long after, once the École française d'Extrême-Orient began to study and catalogue the findings made at the excavations, the growing number of scholars from all around the world, art lovers and admirers of this sculpture, became fervent proponents of Khmer Art.

“Khmer Art, captivating in its civility, refinement and delight, open to all forms of life, is made in the image of the country and its inhabitants. Nevertheless, among the arts of the Far East, few are as accessible to the Western temperament. Its profound beauty impresses itself upon the spirit and sensibility without requiring prior study. Its sobriety, its horror of excess and its sense of balance and harmony allow it to attain universal value.” Thus wrote Madeleine Giteau, the distinguished member of the École française d’Extrême-Orient, in the introduction to her book Les Khmers in 1965.

Currently, the largest museums of the West dedicate entire halls to Khmer sculpture, not to mention the enormous exhibition which took place first at the Galeries Nationales du Grand Palais in Paris and later at the National Gallery of Art in Washington in 1997.