Khan Noonien Singh - Design and Analysis

Design and Analysis

In "Space Seed" writer Carey Wilber's original plot treatment, the character of Khan was a Nordic superman named Harold Erricsen. The first draft of the script introduced the character as John Ericssen— who is revealed to be a man involved in "the First World Tyranny", named Ragnar Thorwald. The character of Thorwald was more brutal than Khan in the final version, killing guards using a phaser. By the final draft, Khan is of Indian ancestry. The character's Latino accent and superhuman appearance strongly differentiate him from most Star Trek characters. In "Space Seed", Khan is presented as having several positive characteristics: he is gracious, smiling, fearless, and generous. He is not threatened by the success of others, and encourages their self-esteem. He is also ambitious, desiring a challenge commensurate with his abilities. This ambition, however, is not tempered by any consideration of the rights of others. Author Paul Cantor asserts that Khan is a mirror image of Kirk, sharing his aggressiveness, ambition, and even his womanizing tendencies, but possessing them in far greater degree. During the episode, several of the characters express their admiration for the man, while opposing his plans and what he stands for at the same time.

After the disappointing response to the first Star Trek feature film, The Motion Picture, Paramount executives appointed Harve Bennett, a television producer who had never watched Star Trek, to be executive producer for the sequel. Bennett watched all the original series episodes and chose Khan from "Space Seed" as a possible villain for the film. Early drafts of the script had Khan as a shadowy tyrant leading a planet in revolt; later drafts added the "Genesis device" which Khan would steal.

Costume designer Robert Fletcher wanted to emphasize the effects of their harsh environment on Khan and his followers. "My intention with Khan was to express the fact that they had been marooned on that planet with no technical infrastructure, so they had to cannibalize from the spaceship whatever they used or wore. Therefore, I tried to make it look as if they had dressed themselves out of pieces of upholstery and electrical equipment that composed the ship," he said. Director Nicholas Meyer told Montalbán to keep Khan's right glove on at all times, in order to give viewers a puzzle they could form their own opinions about and add mystery to the character. Meyer has been repeatedly asked if Montalbán wore a prosthetic chest for his scenes, as his uniform was purposefully designed with an open front. Meyer replied in audio commentary for the film that Montalbán (who was 61 during filming) is "one strong cookie", and that no prosthetics were applied to the actor's sizeable frame.

At no point during The Wrath of Khan are Khan and Kirk face to face; they speak to each other only over communication links such as view screens. This was due in part to the fact that the set of the Reliant was a redress of the Enterprise bridge, and the two actors' scenes were filmed four months apart. Montalbán recited his lines with a script girl instead of to William Shatner.

Montalbán said in promotional interviews for the film he realized early on in his career that a good villain does not see himself as villainous. The villain may do villainous things, but he feels that he is doing them for righteous reasons. Montalbán further stated he always tried to find a flaw in the character, as no one is completely good or completely evil; while Khan had a rather distorted view of reality and therefore performed acts of evil, he still felt that his vengeance was a noble cause because of the death of his wife. Khan quotes the character of Ahab from Moby-Dick throughout the film, driving home his lust to make Kirk pay for the wrongs he has inflicted upon him.