Position
The key light can be "hard" (focused) or "soft" (diffused), and depending on the desired setup can be placed at different angles relative to the subject. When part of the most common setup—three-point lighting—the key light is placed at a 30–60° angle (with the camera marking 0 degrees). In addition to the horizontal angle, the key light can be placed high or low producing different effects. The most common vertical position for the key light is at a 30° degree angle (i.e. slightly above the eye line; the nose should not cast a shadow on the lips).
A key light positioned low appears to distort the actor's features, since most natural or ambient light is normally overhead. A dramatic effect used in horror or comedy cinematography is a key light illuminating the face from below. A high key light will result in more prominent cheek bones and long nose shadows. Marlene Dietrich was famous for demanding that her key light be placed high.
Read more about this topic: Key Light
Famous quotes containing the word position:
“The essence of spirit, he thought to himself, was to choose the thing which did not better one’s position but made it more perilous. That was why the world he knew was poor, for it insisted morality and caution were identical.”
—Norman Mailer (b. 1923)
“He who is usually self-sufficient becomes exceptionally vain and keenly alive to fame and praise when he is physically ill. The more he loses himself the more he has to endeavor to regain his position by means of the opinion of others.”
—Friedrich Nietzsche (1844–1900)
“The word “jealousy” is often used as if it were synonymous with envy; but I think the distinction worth preserving. Jealousy is predominantly concerned with the fear of loss of something one possesses, envy with the wish to own something another possesses. Othello suffers from the fear that he has lost Desdemona’s love. Iago suffers from envy of the position held by Cassio, to which he feels entitled.”
—Anthony Storr (b. 1920)