Early Theatrical Career
Love began his theatrical career at a young age, working as a marionette maker and costume designer for Broadway and other stage productions as early as the 1930s, even appearing on stage in a bit part as a student for the 1937 play Naught Naught 00.
Love worked with many of the great figures of mid-century Broadway and American ballet. He was the costumer for the Agnes de Mille ballet Rodeo (1942), for the Kurt Weill musical One Touch of Venus (1943), and for Merce Cunningham's The Wind Remains (1943) and Jerome Robbins's ballet Fancy Free (1944). For George Balanchine he designed, amongst other items, a twenty-eight foot marionette giant for Don Quixote (1965).
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