The Kerala State Film Award for Best Article on Cinema winners:
| No | Year | Author | Article | Periodical |
|---|---|---|---|---|
| 1 | 1998 | Geetha | Innathe Malayalam Cinema | |
| 2 | 1999 | E. A. Ashraf | Charithravum Charithrarahithyavum | Malayalam Cinema |
| 3 | 2000 | M. G. Radhakrishnan | Idiliyum Fasisavum | |
| 4 | 2002 | Sudheer Parameswaran | Sthreekathapathrangal Televisionilum Cinemayilum | |
| 5 | 2003 | C.S. Venkiteswaran | Mammootty Enna Tharam | |
| 6 | 2004 | Vijayakrishnan | Classicugal Komali Nadakangal Avunathu | |
| 7 | 2006 | N. P. Sajeesh | What malayalam cinema says to Muslims after the Gujarat genocide. | |
| 8 | 2007 | K.P.Jayakumar | Kanathaya Purushan Kazchapedunna Cinema | |
| 9 | 2008 | P. S. Radhakrishnan | Vadakkanpattu Cinemakal | |
| 11 | 2009 | P. S. Radhakrishnan K. P. Jayakumar |
Chemmeen - Deshabhavayude Ethirolikal Apaharikkapedunna Kalapangal |
|
| 12 | 2010 | Sujith Kumar Dr. Biju |
Nostalgia Nirmikunnath Kollaruth Samvidhayakare |
Famous quotes containing the words state, film, award, article and/or cinema:
“Thus we steadily worship Mammon, both school and state and church, and on the seventh day curse God with a tintamar from one end of the Union to the other.”
—Henry David Thoreau (1817–1862)
“I’ll be right here.”
—Melissa Mathison, U.S. screenwriter, and Steven Spielberg. ET, ET The Extra-Terrestrial, saying goodbye to Elliot as he touches Elliot’s forehead—ET’s final words in the film (1982)
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“I review novels to make money, because it is easier for a sluggard to write an article a fortnight than a book a year, because the writer is soothed by the opiate of action, the crank by posing as a good journalist, and having an airhole. I dislike it. I do it and I am always resolving to give it up.”
—Cyril Connolly (1903–1974)
“If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinema ... has access to an alogical or discontinuous use of space.”
—Susan Sontag (b. 1933)