Kensington Runestone - Debate - Edward Larsson's Notes

Edward Larsson's Notes

Many runes in the inscription deviate from known medieval runes, but in 2004 it was discovered that these appear along with pentadic runes in the 1883 notes of a 16-year-old journeyman tailor with an interest in folk music, Edward Larsson. A copy was published by the Institute for Dialectology, Onomastics and Folklore Research in Umeå, Sweden and while an accompanying article suggested the runes were a secret cipher used by the tailors' guild, no usage of futharks by any 19th-century guild has been documented. However, given that the Larsson notes are the only firm evidence for 19th century knowledge of these futharks, it does appear that a secret has been kept with considerable success. The notes also include the Pigpen cipher, devised by the Freemasons, and it may not be coincidental that the abbreviation AVM seen in Latin letters on the Kensington stone also appears (for AUM) on many Masonic gravestones; Wolter and Nielsen in their 2005 book even suggested a connection with the Knights Templar.

Larsson's notes disprove the early theory that the unusual runes on the Kensington Runestone were invented on the spot by the supposed 1890s hoaxer; but without a source for Larsson's rune rows (for example an ancient book, or records from the hypothetical Masonic-type organisation), it is not possible to give their origin any particular date range closer than "before 1883." However, his second rune row includes runes for the letters Å, Ä and Ö, which were introduced into the Swedish version of the Latin alphabet in the 16th century. Although Nielsen has demonstrated that double-dotted runes were used in medieval inscriptions to indicate lengthened vowels, the presence of other letters from the second Larsson rune row on the Kensington stone can be interpreted as suggesting that the post-16th century versions were intended in this case.

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Famous quotes containing the word notes:

    If the heart of a man is deprest with cares,
    The mist is dispell’d when a woman appears;
    Like the notes of a fiddle, she sweetly, sweetly
    Raises the spirits, and charms our ears.
    John Gay (1685–1732)