Adelaide
Having returned to Portland in 1964, he met a local girl, his first wife, Dawn Halliday, the daughter of Portland's Lord Mayor, Reuben H. Halliday. They were soon married and he remained in Portland, working hard in the family's hotel, until 1972, when, he began to understand that he was not as ideally suited to the hotel business as he had once thought, and that he really wanted to become a writer, and that writing was far more important to him than operating the ever more lucrative family business.
Despite the family's strong desire for him to stay in Portland and continue to operate the family's business, Ross, Dawn, Kendall and Kimberly, left for Adelaide and settled there. He was convinced that the isolation of knowing no-one in Adelaide, and the overall creative atmosphere that generally surrounded the Adelaide Festival of Arts, would allow him to pour all of his efforts into his writing.
As he was finding his feet as a writer, he supported his family by working for Frank Brady at his enterprise, P.J. Brady Billiard Tables. With the congenial atmosphere of Adelaide, and the financial security of working for Frank Brady, Ross's writing began to take off.
His first play, Don't Piddle Against the Wind, Mate was accepted (in 1977) by the Australian National Playwrights' Conference; and, at that conference, he met Ray Lawler, who invited him to breakfast, offered professional support, and introduced him to John Sumner. As a consequence of that introduction, John Sumner, soon agreed to direct Ross's second play, Breaker Morant.
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