Kennedy-Warren Apartment Building - Architecture

Architecture

Since the site of the Kennedy-Warren slopes steeply from Connecticut Avenue down to the National Zoo, the lobby level is designated as the third floor. The two residential levels below that have apartments that face the zoo. Below those are four basement levels, including a large parking garage. The building is an imposing sight on Connecticut Avenue because of its massive size and fine detailing, which includes tan and orange variegated brick, limestone carvings, and the extensive use of aluminum. The Kennedy-Warren was the first building in Washington, D.C., to use aluminum extensively; applications include the entrance porch, spandrels between the windows on the façade, balustrades in the lobby, and even an aluminum-leaf arched ceiling in the ground-floor corridors, unique in Washington, D.C. The stone carvings are in the Aztec Deco style, influenced by the carved stonework of ancient Mexico, and include griffins, eagles, and a frieze of elephants and starbursts and they rise three floors above street level.

An unusual feature of the Kennedy-Warren when it opened in 1931 was its air-cooling system. Three enormous fans drew cool air from Klingle Park at the back of the building and forced it through the public corridors. Residents could then open metal louvers above their hallway doors to cool individual apartments. Cross-ventilation during temperate weather was so effective that doorstops were required to prevent doors from slamming closed if left ajar. Advertisements for the Kennedy-Warren showed that the air was at least ten degrees cooler than on Connecticut Avenue. The fans were removed during the 2009–11 renovation after central air conditioning was installed.

Read more about this topic:  Kennedy-Warren Apartment Building

Famous quotes containing the word architecture:

    Art is a jealous mistress, and, if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider.
    Ralph Waldo Emerson (1803–1882)

    And when his hours are numbered, and the world
    Is all his own, retiring, as he were not,
    Leaves, when the sun appears, astonished Art
    To mimic in slow structures, stone by stone,
    Built in an age, the mad wind’s night-work,
    The frolic architecture of the snow.
    Ralph Waldo Emerson (1803–1882)

    In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, High-Tech architecture is, of course, no different in spirit—if totally different in form—from all the romantic architecture of the past.
    Dan Cruickshank (b. 1949)