Ken Mansfield - Apple Records

Apple Records

In 1967 when the Beatles decided to form their own corporation, they turned to Mansfield to run their record division and named him the U.S. Manager of Apple Records beginning in 1968. Mansfield joined his four new bosses setting up the worldwide launch of Apple Records and the U.S. management of subsequent projects such as The Beatles (aka The White Album), Yellow Submarine, Abbey Road, Let It Be and Hey Jude. In addition to the Beatles, Mansfield looked after the careers of Apple artists such as James Taylor, Mary Hopkin, Badfinger and Jackie Lomax.

At the time of the Apple debut, everyone agreed that the Beatles first single on the new label had to be a smash. The group was stymied on whether to release “Hey Jude” or “Revolution” as Apple's first single. “Hey Jude,” which clocked in at an unprecedented 7:11, was the obvious choice. However, it was still the era of the less than three-minute record and Top 40 stations gained listeners by playing the most hits in an hour. Mansfield came up with the solution by bringing an advance copy of the two songs from the UK to American and playing them to a few trusted radio station managers, who were unanimous in their decision that “Hey Jude” was the hit. They were right. When the song was released in September 1968, it topped the Billboard charts for nine weeks and became the Beatles' best selling single of all time.

In his position as an Apple executive and personal liaison for the Beatles between the UK and US, Mansfield was among a handful of eyewitnesses to join The Beatles as they performed their legendary last-ever gig on the rooftop of their London headquarters on January 30, 1969, which was captured in the Academy Award-winning documentary, Let It Be. Mansfield is easy to recognize as he was the only one on the roof that day wearing a white coat.

When the Apple empire began to crumble Mansfield turned down an offer by businessman Allen Klein to stay despite the promise of his salary being tripled. Mansfield saw the writing on the wall and moved over to MGM Records as its vice president in charge of marketing and artist relations. Two years later he was hired by Andy Williams to be the president of his CBS record company, Barnaby Records in 1971 - an artist roster that over the years boasted Ray Stevens, Jimmy Buffett, the Everly Brothers, Paul Anka, Lenny Welch and Claudine Longet.

Mansfield's tenure with Barnaby lasted two years (1971-'73) chiefly because he wanted to take the label heavy into the emerging contemporary country market, which evolved into the exciting “Outlaw” movement. Williams saw things differently and Mansfield resigned over the dispute.