Ken Butler - Career Highlights

Career Highlights

  • 2008 Pollock/Krasner Foundation Grant,The Dayton Art Institute Ohio, Compiegne Library, France
  • 2007 Art Gym at Marylhurst Univ, Hallie Ford Museum, Elizabeth Leach Gallery, artMoving Projects
  • 2006 Mass MoCA, Sideshow Gallery, The Lab, Light in Winter Festival
  • 2005 Lancaster Museum Pa, The Avampato Museum NC, Dowd Fine Arts Center, NY
  • 2004 De Paul Univ. Chicago, Michigan Theatre, 2B Gallery Budapest, Kerrytown Concert Hall MI
  • 2003 Collective Unconscious, The Knitting Factory, NYC
  • 2002 The Aldrich Museum, CT.,F. Donald Kenney Museum NY, (color catalog),
  • 2001 The Klanghaus Hamburg, Rose Art Museum Brandeis, Paris, Radio Bremen.
  • 2000 Exit Art, Florence Lynch Gallery, The Boston Museum, BAM Cafe, The Kitchen
  • 1999 NYFA Fellowship, The Brooklyn Museum, Smithsonian Magazine, The Tonight Show .
  • 1998 Wintergarden Theater, Citicorp Atrium, Met Life Windows NYC.
  • 1997 Metropolitan Museum of Art, Art Gallery of Ontario, Oakland Museum, Knitting Factory, CD on Tzadik.
  • 1996 The Kitchen, The Metropolitan Museum of Art, Soho Festival NYC, Portland Center for the Performing Arts.
  • 1995 Lincoln Center, Thread Waxing Space, Experimental Intermedia, NYC, Maryland Institute of the Arts.
  • 1994 Printemps de Bourges and Art Rock St. Brieuc Festivals, France, Podewil Berlin, Cave 12 Geneva, Whitney Museum NYC.
  • 1993 NY Foundation for the Arts Fellowship, Exit Art, Thread Waxing Space, Performing Garage, The Drawing Center, Roulette, NYC, Images du Futur, Montreal.
  • 1992 Test-Site Gallery, Generator, NYC., Portland Center for the Performing Arts, Gallery Nishiasabu,Tokyo.
  • 1991 Metropolitan Museum of Art, Great Hall at Cooper Union, NYC, Music-Action Festival, France, ICPNA, LIma, Peru, Jamison Thomas Gallery, Portland.
  • 1990 Stedelijk Museum Amsterdam, New Music America Montreal, Roulette NYC.
  • 1989 NEA InterArts grant, The Apollohouse Eindhoven Holland, The Virginia Museum of Fine Arts, The Painted Bride Art Center in Philadelphia.
  • 1988 The Kitchen NYC, New Music America MIami, NW Artists Workshop, Portland.
  • 1987 Franklin Furnace, The Knitting Factory, NYC, Portland Center for the Visual Arts, New Langton Arts Multidisciplinary Project Grant.
  • 1986 The Art Gym, Portland, On the Boards, Bumbershoot Festival, Seattle, Dance Studio, LA.
  • 1985 On the Boards, Seattle, The House, Santa Monica, CA.
  • 1984 Littman Gallery, NW Artists Workshop, Portland.
  • 1983 NEA Artist Fellowship, Oregon Arts Commission Fellowship, Portland Art Museum, Portland Center for the Visual Arts.
  • 1982 Elizabeth Leach Gallery, NW Artists Workshop, Portland, Rosco Louie Gallery, Seattle

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    It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.
    Thomas Henry Huxley (1825–95)