Instruments
A self-taught musician, he usually performs with a variety instruments connected to several synchronized Gibson Echoplex Delay units, which allow him to play a riff once on an instrument, record, layer, and repeat it. This lets him play unaccompanied on stage, helping him to recreate the sound of a full band. He also uses a wide variety of effects, including an envelope filter expression pedal, wah pedal, a Line 6 tap delay, a Roland guitar synth, and a Talk Box.
His main guitars used are a Martin HD-28 and D-35, an Alvarez/Joe Veillette MTB baritone, a Gibson Chet Atkins SST Acoustic Electric Guitar with synth pickup routed to a Roland synth processor, a Fender Precision bass, an Avante baritone acoustic guitar, a Rick Turner baritone 12-string, a Tacoma Thunderhawk, an early 50's tempo and a Gordon Anderson custom 8-string.
In addition, Williams incorporates a variety of acoustic and electric percussion instruments into his live sets, most notably a Roland Handsonic HDP-15 drum machine. He also frequently performs on piano, a theremin, a Korg Kaossilator, a Macbook, and a set of Boomwhackers percussion tubes.
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Famous quotes containing the word instruments:
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)
“The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.”
—Henry Brooks Adams (1838–1918)
“Being the dependents of the general government, and looking to its treasury as the source of all their emoluments, the state officers, under whatever names they might pass and by whatever forms their duties might be prescribed, would in effect be the mere stipendiaries and instruments of the central power.”
—Andrew Jackson (1767–1845)