Keith Smith (Australian Writer) - Writing

Writing

  • The Bear with Bad Eyes; illustrated by Jiri Tibor Novak; Little Lilyfield, 1987
  • How to Get Closer to Your Children; Waratah Press, 1985
  • The Migrant Mouse; illustrated by Bruno Jean Grasswill; Little Lilyfield, 1988
  • The Palace of Signs : Memories of Hard Times and High Times in the Great Depression; Sun, 1991
  • World War II wasn't All Hell; Hutchinson Australia, 1988
  • The Pig that was Different; illustrated by Mary Ferguson; Bow Press in association with Hutchinson Australia, 1988
  • Keith Smith's Riddle Book from Outer Space; Rigby, c. 1964
  • A Word from Children; Rigby, 1960
  • Ogf: Being the Private Papers of George Cockburn, Bus Conductor, a Resident of Hurstfield, a Suburb of Sydney, Australia; Ure Smith, 1965
  • Australian Battlers Remember: the Great Depression; Random House, c. 2003
  • The Pied Piper: Keith Smith's Riddle Book for Children; Rigby, 1960
  • T.V. Jokes for Children; Rigby, 1972
  • T.V. Jokes for Children 2; Rigby, 1972
  • Keith Smith's T-V Picture Puzzle Book. No. 1; Rigby, 1973
  • Keith Smith's T-V Picture Puzzle Book. No. 2; Rigby, 1973
  • Keith Smith's Dum Dora Jokes, illustrations by Eva Wickenberg; Rigby, 1977
  • TV Cook Book for Kids; Rigby, 1972
  • Keith Smith's Knock! Knock! Jokes; illustrations by Eva Wickenberg; Rigby, 1977
  • Keith Smith's Riddle Round Up; illustrations by Eva Wickenberg; Rigby, 1977
  • Supernatural!: Australian Encounters; Pan, 1991
  • Supernatural No. 2: More Australian Encounters; Pan MacMillan, 1993
  • The Time of their Lives!: Remembering Yesterday's Australia; Allen & Unwin, 1993

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Famous quotes containing the word writing:

    “One can write out of love or hate. Hate tells one a great deal about a person. Love makes one become the person. Love, contrary to legend, is not half as blind, at least for writing purposes, as hate. Love can see the evil and not cease to be love. Hate cannot see the good and remain hate. The writer, writing out of hatred, will, thus, paint a far more partial picture than if he had written out of love.”
    —Jessamyn West (1902–1984)

    “... writing is not a performance but a generosity.”
    —Brenda Ueland (1891–1985)

    “I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
    —Ruth Behar (b. 1956)