Keith Smith (Australian Writer) - Writing

Writing

  • The Bear with Bad Eyes; illustrated by Jiri Tibor Novak; Little Lilyfield, 1987
  • How to Get Closer to Your Children; Waratah Press, 1985
  • The Migrant Mouse; illustrated by Bruno Jean Grasswill; Little Lilyfield, 1988
  • The Palace of Signs : Memories of Hard Times and High Times in the Great Depression; Sun, 1991
  • World War II wasn't All Hell; Hutchinson Australia, 1988
  • The Pig that was Different; illustrated by Mary Ferguson; Bow Press in association with Hutchinson Australia, 1988
  • Keith Smith's Riddle Book from Outer Space; Rigby, c. 1964
  • A Word from Children; Rigby, 1960
  • Ogf: Being the Private Papers of George Cockburn, Bus Conductor, a Resident of Hurstfield, a Suburb of Sydney, Australia; Ure Smith, 1965
  • Australian Battlers Remember: the Great Depression; Random House, c. 2003
  • The Pied Piper: Keith Smith's Riddle Book for Children; Rigby, 1960
  • T.V. Jokes for Children; Rigby, 1972
  • T.V. Jokes for Children 2; Rigby, 1972
  • Keith Smith's T-V Picture Puzzle Book. No. 1; Rigby, 1973
  • Keith Smith's T-V Picture Puzzle Book. No. 2; Rigby, 1973
  • Keith Smith's Dum Dora Jokes, illustrations by Eva Wickenberg; Rigby, 1977
  • TV Cook Book for Kids; Rigby, 1972
  • Keith Smith's Knock! Knock! Jokes; illustrations by Eva Wickenberg; Rigby, 1977
  • Keith Smith's Riddle Round Up; illustrations by Eva Wickenberg; Rigby, 1977
  • Supernatural!: Australian Encounters; Pan, 1991
  • Supernatural No. 2: More Australian Encounters; Pan MacMillan, 1993
  • The Time of their Lives!: Remembering Yesterday's Australia; Allen & Unwin, 1993

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Famous quotes containing the word writing:

    “I think it’s the real world. The people we’re writing about in professional sports, they’re suffering and living and dying and loving and trying to make their way through life just as the brick layers and politicians are.”
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    “In the learned journal, in the influential newspaper, I discern no form; only some irresponsible shadow; oftener some monied corporation, or some dangler, who hopes, in the mask and robes of his paragraph, to pass for somebody. But through every clause and part of speech of the right book I meet the eyes of the most determined men; his force and terror inundate every word: the commas and dashes are alive; so that the writing is athletic and nimble,—can go far and live long.”
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    “...I don’t have an inner drive to do as well as anybody else ... I have a great pleasure in writing and part of that is political and part of that is I’m surprised that I’ve done as well as I have. I really am just surprised.”
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