Keiichi Tanaami - Animation Works

Animation Works

  • 1965 “Marionettes in Masks” 35mm color 8mins
  • 1966 “Women”(Co-produced with Shigetaka Sawada) 35mm color 7mins
  • 1971 “GOOD-BY MARILYN” 16mm color 4mina52sec
“GOOD-BY ELVIS and USA” 16mm color 7mins
“FLICKER LOVE NO.1” 16mm color 4mins
“COMMERCIAL WAR” 16mm color 4mins30sec
  • 1973 “OH! YOKO!” 16mm color 4mins
  • 1975 “Gentle Friday” 16mm color 3mins
“CRAYON ANGEL” 16mm color 3mins
  • 2000 “Dark Memories/Shadows of Dream” 16mm color 4mins
  • 2001 “Breath of Window (Correspondence by Animation)” 16mm color 4mins
  • 2002 “Scrap Diary” 16mm B&W 4mins
“Gaze in the Summer – 1942” 16mm color 4mins
“Memories (Scene of the Childhood)” 16mm color 3mins15sec
“Walking Man” 16mm color 6mins
“GOLDFISH FETISH” DV color 6mins
  • 2003 “PUZZLE OF AUTUMN” DV color 8mins
“FETISH DOLL” 16mm color 6mins
“Portrait of Keiichi Tanaami” DV color 6mins
  • 2004 “LANDSCAPE” 16mm color 4mins25sec
“Ten Nights’ Dreams” 16mm color 6mins
  • 2005 “TRIP” 16mm color 4mins30sec
“Madonna’s Temptation” 16mm color 4mins
“BLOW UP 2” DV color 8mins
“4・EYES Re-Mix 2005” DV color 7mins
“MADONNA” DV color 5mins
“The Harmonic Gleam Vibration” DV color 10mins
  • 2006 “NOISE” 16mm color 8mins50sec
  • 2007 “INCH-HIGH SAMURAI” 16mm color 4mins35sec
  • 2008 “DE CHIRICO” 16mm color 4mins30sec
  • 2009 “SHUNGA” 16mm color 4mins30sec

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    His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.
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