Production
The Kawasaki Vulcan Super Chief was eventually shipped to Japan where it would inspire the creation and launch of the 1999 Kawasaki Vulcan 1500 Drifter, whose blacked out handlebar, frame, forks, and shock absorbers, as well as gray engine base, served to emulate the classic look. While the Super Chief’s indicators had been located in the bike’s headlights, the Drifter came equipped with conventional indicators. Kawasaki offered driving lights as accessories which could be added to the bike to enhance its appearance, while also serving a functional purpose.
The Drifter’s retro look was achieved by using the Vulcan 1500 as a base from which to generate a streamlined design which would evoke a classic appearance while delivering the benefits of modern technology. Despite its 1940s appearance, the Drifter is powered by a fuel-injected liquid-cooled 1470 cc V-twin engine delivering power by a five-speed transmission featuring an automatic neutral finder. A drive shaft is used to transfer power from the engine and transmission to the rear wheel, and the motorcycle has single disc brakes both front and rear. The Drifter has a 1.66 metres (65 in) wheelbase, and weighed 322 kilograms (710 lb).
In the 2000 model Kawasaki repeated the blacked out look, then in 2001 introduced a new look which included chromed forks and accessories, a larger fuel tank, and a modified seat consisting of stock solo seating as opposed to the two-up seat which had previously been standard issue.
Read more about this topic: Kawasaki Vulcan 1500 Drifter
Famous quotes containing the word production:
“The growing of food and the growing of children are both vital to the familys survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Houseworkcleaning, feeding, and caringis unimportant.”
—Debbie Taylor (20th century)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (18181883)