Year | Play | Role | Theatre | Location | Notes |
---|---|---|---|---|---|
1928 | The Czarina | A Lady-in-Waiting | Baltimore, Maryland | ||
The Cradle Snatchers | A flapper | Baltimore | |||
The Big Pond | Barbara | New York City, New York | Released after one performance | ||
These Days | Veronica Sims | Cort Theatre | New York City | ||
Holiday | Linda Seton | Plymouth Theatre | New York City | Understudy | |
1930 | A Month in the Country | Grazia | Guild Theatre | New York City | Understudy |
A Romantic Young Lady | Katia; Viera Alexandrovna | The Berkshire Playhouse | Stockbridge, Massachusetts | ||
The Admirable Crichton | The Berkshire Playhouse | Stockbridge | |||
Art and Mrs. Bottle | Judy Bottle | Maxine Elliott Theatre | New York City | ||
1931 | Just Married | Ivoryton, Connecticut | |||
It's a Wise Child | Ivoryton | ||||
Alias the Deacon | Ivoryton | ||||
The Cat and the Canary | Ivoryton | ||||
Let Us Be Gay | Ivoryton | ||||
The Man Who Came Back | Ivoryton | ||||
1932 | The Warror's Husband | Antiope | Morosco Theatre | New York City | March 1932 – May 1932 |
The Bride the Sun Shines On | Ossining, New York | ||||
1934 | The Lake | Stella Surrege | Martin Beck Theatre | New York City | |
1936–1937 | Jane Eyre | Jane Eyre | On tour | ||
1939–1941 | The Philadelphia Story | Tracy Lord | Schubert Theatre | New York City | Played New York March 1939 – March 1942; toured Washington, D.C and Chicago October 1940–41. Revival in Washington in 1942. |
1942–1943 | Without Love | Jamie Coe Rowan | St. James Theatre | New York City | Toured first; NY October 1942 – February 1943. |
1950 | As You Like It | Rosalind | Cort Theatre | New York City | Toured after NY |
1952 | The Millionairess | Epifania | New Theatre Schubert Theatre |
London, UK New York City |
Play by George Bernard Shaw. Played Newcastle-Upon-Tyne and Manchester before London. NY dates: 17 October 1952 – 28 December 1952. |
1955 | The Taming of the Shrew | Katherina | Australia tour | May 1955 – November 1955 | |
Measure for Measure | Isabella | ||||
The Merchant of Venice | Portia | ||||
1957 | The Merchant of Venice | Portia | American Shakespeare Theatre | Stratford, Connecticut | |
Much Ado About Nothing | Beatrice | American Shakespeare Theatre | Stratford | ||
1960 | Twelfth Night | Viola | American Shakespeare Theatre | Stratford | |
Antony and Cleopatra | Cleopatra | American Shakespeare Theatre | Stratford | ||
1969–1971 | Coco | Coco Chanel | Mark Hellinger Theatre | New York City | NY dates: 18 December 1969 – 3 October 1970. Toured in 1971. |
1976–1977 | A Matter of Gravity | Mrs. Basil | Broadhurst Theatre | New York City | Began with a 12 week pre-Broadway tour. After NY, toured US for six months. |
1981–1982 | The West Side Waltz | Margaret Mary Elderdice | On tour | Toured Los Angeles, Washington, Baltimore, Seattle, Chicago, Philadelphia, ending at Ethel Barrymore Theatre on Broadway. |
Read more about this topic: Katharine Hepburn Film And Theatre Credits
Famous quotes containing the word theatre:
“People fall out of windows, trees tumble down,
Summer is changed to winter, the young grow old
The air is full of children, statues, roofs
And snow. The theatre is spinning round,
Colliding with deaf-mute churches and optical trains.
The most massive sopranos are singing songs of scales.”
—Wallace Stevens (18791955)
“For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.”
—Sarah Bernhardt (18441923)
“The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.”
—Wallace Stevens (18791955)