Karrick Process - Process

Process

The Karrick process is a low-temperature carbonization process, which uses a hermetic retort. For commercial scale production, a retort about 3 feet (0.91 m) in diameter and 20 feet (6.1 m) high would be used. The process of carbonization would last about 3 hours.

Superheated steam is injected continuously into the top of retort filled by coal. At first, in contact with cool coal, the steam condenses to water acting as a cleaning agent. While temperature of coal rises, the destructive distillation starts. Coal is heated at 450 °C (800 °F) to 700 °C (1,300 °F) in the absence of air. The carbonization temperature is lower compared with 800 °C (1,500 °F) to 1,000 °C (1,800 °F) for producing metallurgic coke. The lower temperature optimizes the production of coal tars richer in lighter hydrocarbons than normal coal tar, and therefore it is suitable for processing into fuels. Resulting water, oil and coal tar, and syngas moves out from retort through outlet valves at the bottom of the retort. The residue (char or semi-coke) remains in the retort. While the produced liquids are mostly a by-product, the semi-coke is the main product, a solid and smokeless fuel.

The Karrick LTC process generates no carbon dioxide, but it does produce a significant amount of carbon monoxide.

Read more about this topic:  Karrick Process

Famous quotes containing the word process:

    My advice to people today is as follows: If you take the game of life seriously, if you take your nervous system seriously, if you take your sense organs seriously, if you take the energy process seriously, you must turn on, tune in, and drop out.
    Timothy Leary (b. 1920)

    To exist as an advertisement of her husband’s income, or her father’s generosity, has become a second nature to many a woman who must have undergone, one would say, some long and subtle process of degradation before she sunk [sic] so low, or grovelled so serenely.
    Elizabeth Stuart Phelps (1844–1911)

    The invention of photography provided a radically new picture-making process—a process based not on synthesis but on selection. The difference was a basic one. Paintings were made—constructed from a storehouse of traditional schemes and skills and attitudes—but photographs, as the man on the street put, were taken.
    Jean Szarkowski (b. 1925)