Performance Style
Valentin's naïve sense of humour produced sketches that in spirit were loosely connected to dadaism, social expressionism and the Neue Sachlichkeit. Along with Karl Kraus, he is considered a master of gallows humor. His art centered mostly around linguistic dexterity and wordplay—Valentin was a linguistic anarchist. His comedy would often begin with a simple misunderstanding, on which he would insist as the sketch progressed. The notable critic Alfred Kerr praised him as a Wortzerklauberer, or someone who tears apart words and language to forcefully extract and dissect its inherent meaning. His sketches often parodied and derided "shopkeepers, firemen, military band players, professionals with small roles in the economy and the defence of society".
Many contemporary artists, including film-maker Herbert Achternbusch and Christoph Schlingensief ("Valentin is one of the greatest for me!"), trace their artistic roots back to Karl Valentin.
Read more about this topic: Karl Valentin
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