Karim Noureldin - Work

Work

Around 1994 Karim Noureldin began with a contemporary drawing technique based on an abstract artistic vocabulary. Since then he added interventions in the field of sculptures, photos, wall- and floor paintings and large site-specific installations in a variety of corporate and public environments as well as international museums and contemporary art galleries. He collaborated on numerous artistic projects with a younger generation of Swiss architects. as well as with corporate and cultural institutions and state agencies.

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    You should go to picture-galleries and museums of sculpture to be acted upon, and not to express or try to form your own perfectly futile opinion. It makes no difference to you or the world what you may think of any work of art. That is not the question; the point is how it affects you. The picture is the judge of your capacity, not you of its excellence; the world has long ago passed its judgment upon it, and now it is for the work to estimate you.
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    Christopher Cross: You shouldn’t be alone in the street so late at night.
    Kitty March: I was coming home from work.
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    Kitty March: Oh, you are clever!
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    ... my last work is no sooner on the stands than letters come, suggesting a subject. The grandmothers of strangers are crying from the grave, it seems, for literary recognition; it is bewildering, the number of salty grandfathers, aunts and uncles that languish unappreciated.
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