Work
Around 1994 Karim Noureldin began with a contemporary drawing technique based on an abstract artistic vocabulary. Since then he added interventions in the field of sculptures, photos, wall- and floor paintings and large site-specific installations in a variety of corporate and public environments as well as international museums and contemporary art galleries. He collaborated on numerous artistic projects with a younger generation of Swiss architects. as well as with corporate and cultural institutions and state agencies.
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“His work was that curious mixture of bad painting and good intentions that always entitles a man to be called a representative British artist.”
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