Style
Reiner's musical output was created during fifty years, since 1928/9 to 1979, and was firmly connected with the political situation in Czechoslovakia in the 20th century. His first artistic period was influenced by his teachers and models (Alois Hába, Josef Suk, Emil František Burian, and Erwin Schulhoff), it was part of Czech artistic avant-garde, and it was later rejected by communists as formalism. After the critique of the party he was forced to find new, more traditional and conservative ways of composing. This period lasted roughly to 1960. The last period (1960–79) is considered the most artistically valuable. The musical trends in Czechoslovakia were freer in that time and Reiner thus was able to show his expressive musical thinking. He composed almost in all musical categories, created vocal works (songs, choirs), instrumental works (for solo instrument, chamber, symphonic), vocal-instrumental works (cantata, opera), film music, incidental music, composed popular dance songs at the start of his career, and was inspired also by jazz and folk music. He composed for almost all instruments, including bass clarinet, dulcimer, solo drums and for baritone saxophone.
Read more about this topic: Karel Reiner
Famous quotes containing the word style:
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (1817–1862)
“Always, however brutal an age may actually have been, its style transmits its music only.”
—André Malraux (1901–1976)
“I never knew a writer yet who took the smallest pains with his style and was at the same time readable.”
—Samuel Butler (1835–1902)