Kansas City Repertory Theatre - The Rep Under George Keathley (1985-2000)

The Rep Under George Keathley (1985-2000)

Dr. McIlrath retired in 1985 as artistic director after serving the Rep for more than twenty years. It was the end of the theater's "founding era." An extensive search for her successor led to the appointment of George Keathley as the new artistic director. With thirty-five years of experience in acting, directing, and producing, Keathley was able to build on the traditions of the company while introducing new dimensions and programming to the theatre. He introduced Rep audiences to such contemporary writers as Athol Fugard, David Mamet and Peter Schaffer, and continued the classic tradition with Shakespeare, Sophocles and Molière. At his retirement in 2000, Keathley had personally directed 49 productions. Costin, who died in 2005, also retired in 2000, after completing thirty-six years at the administrative helm of the organization.

It was under the leadership of Costin and Keathley that the theater experienced explosive growth in both its artistic and administrative operations. Keathley created productions that achieved critical acclaim and attracted artists and audiences.

Costin, at the same time, built on the partnership he had created between UMKC and the Rep decades before. His ability to attract and retain creative managers supported Keathley's work on the stage.

Upon their retirements, at the celebration welcoming their successor Peter Altman, Keathley and Costin each offered a gift symbolizing the passing of their legacies to him. For Keathley the gift was a glass elephant from the original production of The Glass Menagerie given to him by Tennessee Williams many years before. Keathley's gift symbolized the artistic history on which Altman could build.

Costin's gift to Altman was an audience base of 100,000 and cash reserves and endowment funds of more than $10 million, making the Rep one of the nation's most financially stable institutions. Costin's gift provided Altman with resources to build on the artistic legacies of his predecessors.

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