Record Against Top Opponents
Women's Doubles results with Christinna Pedersen against Super Series finalists, Worlds Semi-finalists, and Olympic quarterfinalists, as well as all Olympic opponents.
- / Petya Nedelcheva & Anastasia Russkikh 0–1
- Ma Jin & Tang Jinhua 0–2
- Wang Xiaoli & Yu Yang 0–1
- Tian Qing & Zhao Yunlei 2–5
- Bao Yixin & Zhong Qianxin 1–0
- Cheng Wen-hsing & Chien Yu-chin 1–1
- Poon Lok Yan & Tse Ying Suet 3–1
- Mizuki Fujii & Reika Kakiiwa 3–2
- Miyuki Maeda & Satoko Suetsuna 3–2
- Shizuka Matsuo & Mami Naito 2–2
- Jung Kyung-eun & Kim Ha-na 3–0
- Ha Jung-eun & Kim Min-jung 1–4
- Chin Eei Hui & Wong Pei Tty 1–1
- Valeria Sorokina & Nina Vislova 2–0
- Duanganong Aroonkesorn & Kunchala Voravichitchaikul 2–0
Read more about this topic: Kamilla Rytter Juhl
Famous quotes containing the words record, top and/or opponents:
“... many of the things which we deplore, the prevalence of tuberculosis, the mounting record of crime in certain sections of the country, are not due just to lack of education and to physical differences, but are due in great part to the basic fact of segregation which we have set up in this country and which warps and twists the lives not only of our Negro population, but sometimes of foreign born or even of religious groups.”
—Eleanor Roosevelt (1884–1962)
“All of the valuable qualities ... like helping in the development of others—will not get you to the top at General Motors, were that path open to women.... The characteristics most highly developed in women and perhaps most essential to human beings are the very characteristics that are specifically dysfunctional for success in the world as it is.... They may, however, be the important ones for making the world different.”
—Jean Baker Miller (20th century)
“It is in this impossibility of attaining to a synthesis of the inner life and the outward that the inferiority of the biographer to the novelist lies. The biographer quite clearly sees Peel, say, seated on his bench while his opponents overwhelm him with perhaps undeserved censure. He sees him motionless, miserable, his head bent on his breast. He asks himself: “What is he thinking?” and he knows nothing.”
—Andre Maurois (1885–1967)