Structure/Poetic Devices
This poem is similar to Howl (1955) in that it has the same structure. Each line is quite long, and Ginsberg has said these long lines are meant to be read in a single breath. In this and many of Ginsberg’s poems, there is a sense of urgency and hyperactivity. It is as if the poem is just a collection of his memories spilled onto the page. There is no uniform structure to the poem. Some lines are indented, some are not. Ginsberg uses hyphens as punctuation often, and the sentences are often run-ons, brimming with different ideas and images.
One interesting device Ginsberg uses in this poem is capitalization. Several words like “Death”, “Day”, “Mercy” and “Oblivion”, are capitalized even though they don’t necessarily have to be. The capitalization of the words denotes their heightened importance in the poem. “Oblivion” in this poem is not just an abstraction; it is meant to describe a very real place, thus it is capitalized.
Read more about this topic: Kaddish And Other Poems
Famous quotes containing the words structure, poetic and/or devices:
“Science is intimately integrated with the whole social structure and cultural tradition. They mutually support one otheronly in certain types of society can science flourish, and conversely without a continuous and healthy development and application of science such a society cannot function properly.”
—Talcott Parsons (19021979)
“Metaphysics abstracts the mind from the senses, and the poetic faculty must submerge the whole mind in the senses. Metaphysics soars up to universals, and the poetic faculty must plunge deep into particulars.”
—Giambattista Vico (16881744)
“So that with much ado I was corrupted, and made to learn the dirty devices of this world.
Which now I unlearn, and become, as it were, a little child again that I may enter into the Kingdom of God.”
—Thomas Traherne (16361674)