Structure/Poetic Devices
This poem is similar to Howl (1955) in that it has the same structure. Each line is quite long, and Ginsberg has said these long lines are meant to be read in a single breath. In this and many of Ginsberg’s poems, there is a sense of urgency and hyperactivity. It is as if the poem is just a collection of his memories spilled onto the page. There is no uniform structure to the poem. Some lines are indented, some are not. Ginsberg uses hyphens as punctuation often, and the sentences are often run-ons, brimming with different ideas and images.
One interesting device Ginsberg uses in this poem is capitalization. Several words like “Death”, “Day”, “Mercy” and “Oblivion”, are capitalized even though they don’t necessarily have to be. The capitalization of the words denotes their heightened importance in the poem. “Oblivion” in this poem is not just an abstraction; it is meant to describe a very real place, thus it is capitalized.
Read more about this topic: Kaddish And Other Poems
Famous quotes containing the words structure, poetic and/or devices:
“Who says that fictions only and false hair
Become a verse? Is there in truth no beauty?
Is all good structure in a winding stair?
May no lines pass, except they do their duty
Not to a true, but painted chair?”
—George Herbert (1593–1633)
“The use of symbols has a certain power of emancipation and exhilaration for all men. We seem to be touched by a wand, which makes us dance and run about happily, like children. We are like persons who come out of a cave or cellar into the open air. This is the effect on us of tropes, fables, oracles, and all poetic forms. Poets are thus liberating gods.”
—Ralph Waldo Emerson (1803–1882)
“So that with much ado I was corrupted, and made to learn the dirty devices of this world.
Which now I unlearn, and become, as it were, a little child again that I may enter into the Kingdom of God.”
—Thomas Traherne (1636–1674)