Justin Hayward - Instruments

Instruments

For the most part, Hayward has used a red Gibson ES-335 ("main axe"), though he also uses other guitars in both performing and recording, including a 1955 Martin D-28 "Dreadnought", a James Olson six-string acoustic, a black Guild acoustic, a Squier Stratocaster (essentially an inexpensive Fender Stratocaster, as Squier is a subsidiary of Fender), a Fender Telecaster, a blonde Guild 12-string acoustic (tuned to "open C"), a 12-string Gibson acoustic (for "Question"), and in 1967 a black Gibson Les Paul. Between 1965 and 1968 he was without his Gibson 335 and relied on other instruments, most notably a 1964 Fender Telecaster and a hand-built 12-string guitar he had renovated for Donegan (he eventually bought this guitar from Donegan's widow). However, in an interview included on the Lovely to See You concert DVD (2005), Hayward says the 1963 Gibson 335 has been with him since 1967. Recently he has played a Collings D3 on stage and on recordings. Among other instruments, Hayward also played mandolin on A Question of Balance and sitar on "In Search of the Lost Chord".

Read more about this topic:  Justin Hayward

Famous quotes containing the word instruments:

    Whilst Marx turned the Hegelian dialectic outwards, making it an instrument with which he could interpret the facts of history and so arrive at an objective science which insists on the translation of theory into action, Kierkegaard, on the other hand, turned the same instruments inwards, for the examination of his own soul or psychology, arriving at a subjective philosophy which involved him in the deepest pessimism and despair of action.
    Sir Herbert Read (1893–1968)

    I rejoice that America has resisted. Three millions of people, so dead to all the feelings of liberty, as voluntarily to submit to be slaves, would have been fit instruments to make slaves of the rest.
    William Pitt, The Elder, Lord Chatham (1708–1778)

    Water, earth, air, fire, and the other parts of this structure of mine are no more instruments of your life than instruments of your death. Why do you fear your last day? It contributes no more to your death than each of the others. The last step does not cause the fatigue, but reveals it. All days travel toward death, the last one reaches it.
    Michel de Montaigne (1533–1592)