Ginsberg As Editor and Literary Agent
Burroughs's work would not have been published but for Allen Ginsberg’s drive and determination. Apart from his own artistic output, Ginsberg can justly be remembered as a great teacher of writing. Throughout his life, he shepherded many artistic works to fruition. Junkie was probably the first. Besides encouraging Burroughs to write, he worked as editor and agent for the manuscript while the manuscript was written in Mexico City during Burroughs’ forced flight from pending drug charges in New Orleans. The companion piece to Junky, Queer, was written at the same time and parts of Queer were designed to be included in Junkie, since the first manuscript was dismissed as poorly written and lacking in interest and insight. After many rejection letters, Burroughs stopped writing.
Ginsberg miraculously found a publisher in a psychiatric hospital in New Jersey. He had admitted himself to a Hoboken hospital after getting kicked out of Columbia University. A. A. Wyn, who owned Ace Books, was pressured to consider the work upon the insistence of his nephew, Carl Solomon, who had been hospitalized in the same facility as Ginsberg. With this news, Ginsberg forced Burroughs to revisit the text. Ginsberg soothed Burroughs's indignation at the necessary edits, and was able to finally place the novel with the New York publishing house.
Read more about this topic: Junkie (novel)
Famous quotes containing the words ginsberg, editor, literary and/or agent:
“A perfect beauty of a sunflower! a perfect excellent lovely sunflower existence! a sweet natural eye to the new hip moon, woke up alive and excited grasping in the sunset shadow sunrise golden monthly breeze”
—Allen Ginsberg (b. 1926)
“If the veil were withdrawn from the sanctuary of domestic life, and man could look upon the fear, the loathing, the detestations which his tyranny and reckless gratification of self has caused to take the place of confiding love, which placed a woman in his power, he would shudder at the hideous wrong of the present regulations of the domestic abode.”
—Lydia Jane Pierson, U.S. women’s rights activist and corresponding editor of The Woman’s Advocate. The Woman’s Advocate, represented in The Lily, pp. 117-8 (1855-1858 or 1860)
“The purifying, healing influence of literature, the dissipating of passions by knowledge and the written word, literature as the path to understanding, forgiveness and love, the redeeming might of the word, the literary spirit as the noblest manifestation of the spirit of man, the writer as perfected type, as saint.”
—Thomas Mann (1875–1955)
“The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.”
—Raymond Chandler (1888–1959)