Music
Kimbrough began playing guitar in his youth, and counted Lightnin' Hopkins as an early influence. In the late 1950s he began playing in his own style, which made use of mid-tempo rhythms and a steady drone he played with his thumb on the bass strings of his guitar. This style would later be cited as a prime example of regional north hill country blues. His music is characterized by the tricky syncopations between his droning bass strings and his mid-range melodies. His soloing style has been described as modal and features languorous runs in the mid and upper register. The result was described by music critic Robert Palmer as "hypnotic". In solo and ensemble settings it is often polyrhythmic, which links it explicitly to the music of Africa. Fellow North Mississippi bluesman and former Kimbrough bassist Eric Deaton has suggested similarities between Junior Kimbrough's music and Malian bluesman Ali Farka Touré's.
Read more about this topic: Junior Kimbrough
Famous quotes containing the word music:
“To know whether you are enjoying a piece of music or not you must see whether you find yourself looking at the advertisements of Pears’ soap at the end of the libretto.”
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“Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.”
—Thomas Beecham (1879–1961)