Composition
Musically the song is inspired by the 80s synthpop. Essentially a club anthem, the song finds Madonna singing in her lower register. It incorporates the techno music played in the clubs of Ibiza. According to About.com, the introduction of the song is a tribute to the Pet Shop Boys 1984 song "West End Girls". The song is set in common time with moderately fast dance groove tempo and a metronome of 126 beats per minute. It is set in the key of E major. Madonna's voice spans from D3 to A4. It follows in the chord progression of E–D–C–D in the verses, and C–D–E in the chorus, with an E synth drone playing continually. Lyrically the song talks about empowerment and the urge to move on. It also reflected Madonna's change of style from her previous singles and shifting her focus on self-sufficiency. The line "I can make it alone" in the song demonstrated the shift. The lyrics of "Jump" have been compared to the lyrics of Madonna's 1990 song "Keep It Together" from the Like a Prayer album. The difference between them is that "Jump" focuses more on the potentials of finding new love rather than family values.
Read more about this topic: Jump (Madonna Song)
Famous quotes containing the word composition:
“Every thing in his composition was little; and he had all the weaknesses of a little mind, without any of the virtues, or even the vices, of a great one.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)