Julia Sweeney - Career

Career

In 1988, while still working as an accountant, Sweeney enrolled in classes with the improvisational comedy troupe The Groundlings, eventually being selected to be part of the troupe's Sunday Company. It was at The Groundlings that she began to develop personae she would later bring to the stage, film, and television. They include Mea Culpa, the title character of Mea's Big Apology (co-written by then-husband Stephen Hibbert), which won the Best Written Play Award from L.A. Weekly in 1988 and has been developed by Sweeney (in collaboration with Jim Emerson) into a screenplay; and the androgynous Pat, whose impossible-to-determine gender was the basis for Sweeney's popular It's Pat! skits on Saturday Night Live, and later for her feature film of the same name, which never received a national release but has since gathered a small cult following.

In 1992 she also worked with the rock band Ugly Kid Joe, performing in the music video for their hit "Neighbor" and contributing introductory audio to two tracks, "Goddamn Devil" and "Everything About You." The latter was on the soundtrack to the Lorne Michaels movie Wayne's World.

In 1994, she had a small role as "Raquel" in the movie Pulp Fiction.

Sweeney serves on the Advisory Board of the Secular Coalition for America.

In February 2010 she was named to the Freedom From Religion Foundation's Honorary Board of distinguished achievers.

Read more about this topic:  Julia Sweeney

Famous quotes containing the word career:

    I restore myself when I’m alone. A career is born in public—talent in privacy.
    Marilyn Monroe (1926–1962)

    John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.
    Henry David Thoreau (1817–1862)

    I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.
    Margaret S. Mahler (1897–1985)