Remarks
- " What has been thematised in the whole movie is the decadence. In multiple ways, so many lives are being wasted. May be the whole country is being wasted." –Amalendu Basu
- " When Mrinal Sen opened up a new dimension in the Bengali cinema by making political films, Ritwik showed how he could give a new shape even to this genre...to make a film simultaneously political and autobiographical...the more important thing is that here autobiography is no mere hankering for recollection of the past, but a self-analysis, self-criticism...this film enables us to confront one's own self...but Ritwik's arguments, Ritwik's story all seem to be the prattling of an alcoholic,but the person who has the guts to strip himself before the truth, is not Ritwik, the alcoholic, but Ritwik,a true revolutionary." –Dipendu Chakrabarty
- " Jukti Takko Aar Gappo, a film so daring in its complete disregard of the very language and grammar of cinema he had mastered and developed that it is difficult to understand how it achieves its intense intimacy with the audience.It is as if the characters step out of the screen to talk and to you and you are forced to respond to them, to react very sharply for or against them.The central character played by Ghatak himself parodies his real life in such a way that it compels the audience to reflect and criticise him. Perhaps this is just what Ritwik had been struggling to do through cinema all his life. Ironically, perhaps, he wanted to see that it could be achieved only through a conscious rejection of much of what has come to be accepted as the language of cinema." –Safdar Hashmi
- " In Jukti Takko ar Gappo, the elements were presented in their new raw form — reason, argument, story, song that hunger which is the basis of human creativity. So that Riwik calls himself a humbug a civilisation sees how it is reduced to ashes. Yet there was no nihilism; he dies pleading with those who would annihilate their compassion along with their enemy. Our heroism will find itself trapped in mechanical crossfire of gunpowder, if it refuses to nourish itself on nature and history. For Ritwik, the heroic act the ultimate and the first sacrifice, has to be the act of union." –Kumar Sahani
Read more about this topic: Jukti Takko Aar Gappo
Famous quotes containing the word remarks:
“An illustrious individual remarks that Mrs. [Elizabeth Cady] Stanton is the salt, Anna Dickinson the pepper, and Miss [Susan B.] Anthony the vinegar of the Female Suffrage movement. The very elements get the “white male” into a nice pickle.”
—Anonymous, U.S. women’s magazine contributor. The Revolution (August 19, 1869)
“Where do whites fit in the New Africa? Nowhere, I’m inclined to say ... and I do believe that it is true that even the gentlest and most westernised Africans would like the emotional idea of the continent entirely without the complication of the presence of the white man for a generation or two. But nowhere, as an answer for us whites, is in the same category as remarks like What’s the use of living? in the face of the threat of atomic radiation. We are living; we are in Africa.”
—Nadine Gordimer (b. 1923)
“The general feeling was, and for a long time remained, that one had several children in order to keep just a few. As late as the seventeenth century . . . people could not allow themselves to become too attached to something that was regarded as a probable loss. This is the reason for certain remarks which shock our present-day sensibility, such as Montaigne’s observation, “I have lost two or three children in their infancy, not without regret, but without great sorrow.””
—Philippe Ariés (20th century)