Series
The series concerns a device, found by humans in the 25th century, called the Nullifier. This device is said to be capable of destroying the universe. Realising the danger, a man called Irwin 1138 splits the Nullifier into six pieces, which are then dispersed through time. However, a scientist called Dr. Zoetrope finds out where the pieces are located and, with the help of his time traveling armor, sets about reassembling the device. Along with 20th-century teenager Josh Kirby, and a half-human warrior known as Azabeth Siege, Irwin 1138 sets about thwarting Dr. Zoetrope's plans.
Josh Kirby is 14 years of age in 9th grade and his journey starts when he is accidentally pulled into the fight between Irwin and Zoetrope when a piece of the Nullifier lands in his time. He has to overcome his homesickness for small-town America, helped by befriending the alien warrior-girl Azabeth, and saving her life, a result of this being that she is bound by oath to protect him. After a series of adventures including seeing the year 70,379 where humans have become tyrannical giants, a world populated by living toys, and Azabeth’s home world where humans are the hated enemy of her people, The Kang, he eventually is confronted by a shocking betrayal by Irwin before he discovers that he must choose between Azabeth's survival and fulfilling his Time Warrior destiny.
Read more about this topic: Josh Kirby... Time Warrior!
Famous quotes containing the word series:
“If the technology cannot shoulder the entire burden of strategic change, it nevertheless can set into motion a series of dynamics that present an important challenge to imperative control and the industrial division of labor. The more blurred the distinction between what workers know and what managers know, the more fragile and pointless any traditional relationships of domination and subordination between them will become.”
—Shoshana Zuboff (b. 1951)
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—Shelley Bovey, U.S. author. Being Fat Is Not a Sin, ch. 1 (1989)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)