Selected Film & Television Credits
| Year | Name | Type | Roles | Notes |
|---|---|---|---|---|
| 1981 | The Evil Dead | Feature Film | Lighting/Effects | |
| Torro! Torro! Torro! | Short Film | Director | ||
| 1982 | Cleveland Smith: Bounty Hunter | Director/Writer/Cinematographer/Editor | ||
| 1985 | Thou Shalt Not Kill... Except | Feature Film | Director/Co-Story/Co-Writer/Cinematographer/Editor | |
| 1991 | Lunatics: A Love Story | Feature Film | Director/Writer | |
| 1993 | Real Stories of the Highway Patrol | TV Series | Co-Director | |
| 1994 | Hercules in the Maze of the Minotaur | TV Movie | Director | |
| 1996-2001 | Xena: Warrior Princess | TV Series | Director (9 Episodes, 1996-2001)/Writer (2 Episodes, 1996-1998) | |
| 1997 | Running Time | Feature Film | Director/Producer/Writer | |
| 2000 | Jack of All Trades | TV Series | Director (2 Episodes, 2000) | |
| 2001 | If I Had a Hammer | Feature Film | Director/Writer | |
| 2005 | Alien Apocalypse | TV Movie | Director/Writer | |
| 2007 | Stan Lee's Harpies | TV Movie | Director | |
| 2008 | Intent | Feature Film | Director | Unreleased |
Read more about this topic: Josh Becker
Famous quotes containing the words selected, film and/or television:
“There is no reason why parents who work hard at a job to support a family, who nurture children during the hours at home, and who have searched for and selected the best [daycare] arrangement possible for their children need to feel anxious and guilty. It almost seems as if our culture wants parents to experience these negative feelings.”
—Gwen Morgan (20th century)
“[Film noir] experiences periodic rebirth and rediscovery. Whenever we have any moment of deep societal rift or disruption in America, one of the ways we can express it is through the ideas and behavior in film noir.”
—John Briley (b. 1925)
“His [O.J. Simpson’s] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?”
—Anna Quindlen (b. 1952)