Film
| Year | German Title | Translation | Runtime | Country | Notes/English Title |
|---|---|---|---|---|---|
| 1970 | Josefine Mutzenbacher | Josephine Mutzenbacher | 89min | West Germany | Naughty Knickers (UK) |
| 1971 | Josefine Mutzenbacher II – Meine 365 Liebhaber | Josephine Mutzenbacher II – My 365 Lovers | 90min | West Germany | Don't Get your Knickers in a Twist (UK) |
| 1972 | Ferdinand und die Mutzenbacherin | Ferdinand and the Mutzenbacher Girl | 81min | West Germany | The Games Schoolgirls Play (USA) |
| 1976 | Josefine Mutzenbacher- Wie sie wirklich war 1 | Josephine Mutzenbacher- The Way She Really Was | 94min | West Germany | Sensational Janine (USA) |
| 1978 | Die Beichte der Josefine Mutzenbacher | The Confession of Josephine Mutzenbacher | 94min | West Germany | Studio Tabu, Dir. Hans Billian |
| 1981 | Aus dem Tagebuch der Josefine Mutzenbacher | From the Diary of Josephine Mutzenbacher | 93min | West Germany | Professional Janine (USA) |
| 1984 | Josefine Mutzenbacher – Mein Leben für die Liebe | Josephine Mutzenbacher – My Life for Love | 100min | West Germany | The Way She Was (USA) |
| 1987 | Das Lustschloss der Josefine Mutzenbacher | The Pleasure Palace of Josephine Mutzenbacher | 85min | Germany | Insatiable Janine (USA) |
| 1990 | Josefine Mutzenbacher – Manche mögen's heiß! | Josephine Mutzenbacher – Some Like it Hot! | 90min | Germany | Studio EMS GmbH, Dir. Jürgen Enz |
| 1991 | Josefine Mutzenbacher – Die Hure von Wien | Josephine Mutzenbacher – The Whore of Vienna | 90min | Germany | Trimax Studio, Dir. Hans Billian |
| 1994 | Heidi heida! Josefine Mutzenbackers Enkelin lässt grüßen | Heidi heida! Let's Say Hello to Josephine Mutzenbacher's Granddaughter | 90min | Germany | Studio KSM GmbH |
Read more about this topic: Josephine Mutzenbacher, Derivative Works
Famous quotes containing the word film:
“Lay not that flattering unction to your soul,
That not your trespass but my madness speaks;
It will but skin and film the ulcerous place,
Whilst rank corruption, mining all within,
Infects unseen.”
—William Shakespeare (1564–1616)
“You should look straight at a film; that’s the only way to see one. Film is not the art of scholars but of illiterates.”
—Werner Herzog (b. 1942)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)