Works
His most famous novel, La Rue Cases-Nègres (often translated as Black Shack Alley or Sugar Cane Alley), was published in Paris 1950. The novel is an account of a young boy raised by his grandmother in a post-slavery, but still plantation-based, Martinique. The struggles of the impoverished cane sugar plantation workers, and the ambitions of a loving grandmother who works hard to put the main character through school are the core subject of the novel, which also describes life in a colonial society. Zobel stated that the novel was his version of Richard Wright's Black Boy in that they are both semi-autobiographical..
The novel was adapted to the screen by Euzhan Palcy in 1983 as Sugar Cane Alley.
While La Rue Cases-Nègres is the most renowned work from Joseph Zobel, the author started his writing career in 1942 during World War Two with Diab-la (a tentative English title could be : The Devil's Garden), a socially conscious novel similar to Jacques Roumains' Masters of the Dew (published one year or more later). With Diab-la, Zobel tells the powerful story of a sugar cane plantation worker freeing himself from colonial exploitation by creating a garden in a fishermen's village of Southern Martinique.
Leaving Martinique in 1946 to pursue ethnology and drama studies in Paris, Joseph Zobel spent some years in Paris and Fontainebleau, before relocating in Senegal by 1957. Writing a few short stories, he had a notable impact in the cultural life of French-speaking West Africa as a public radio producer.
Also a noted poet and a gifted sculptor, Joseph Zobel retired in a small village of Southern France by 1974 and died in 2006.
Read more about this topic: Joseph Zobel
Famous quotes containing the word works:
“His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.”
—Henry David Thoreau (1817–1862)
“The discovery of Pennsylvania’s coal and iron was the deathblow to Allaire. The works were moved to Pennsylvania so hurriedly that for years pianos and the larger pieces of furniture stood in the deserted houses.”
—For the State of New Jersey, U.S. public relief program (1935-1943)
“... no one who has not been an integral part of a slaveholding community, can have any idea of its abominations.... even were slavery no curse to its victims, the exercise of arbitrary power works such fearful ruin upon the hearts of slaveholders, that I should feel impelled to labor and pray for its overthrow with my last energies and latest breath.”
—Angelina Grimké (1805–1879)