Works
Beach was the author of a number of works of poetry, literary criticism, and fiction. He was one of the first academic scholars to work on literary figures such as Henry James (The Method of Henry James (1918)), George Meredith (The Comic Spirit in Meredith (1911)), and Thomas Hardy. Allen Tate called his book on Henry James "a critical masterpiece, as its insights have not been replaced or improved upon to any great extent by later critics." Beach was also an authority on nineteenth-century literature, and especially Romantic poetry. He published his magnum opus, (The Concept of Nature in Nineteenth-Century English Poetry) in 1936. Beach's The Making of the Auden Canon (1957) was a study of how W. H. Auden revised his earlier-published poems as his view of the world changed. His other books include The Outlook for American Prose (1926), American Fiction: 1920-1040 (1941), and Obsessive Images: Symbolism in Poetry of the 1930s and 1940s (1960).
Beach also brought out three volumes of his own poetry--Sonnets of the Head and Heart (1903), Beginning With Plato (1944), and Involuntary Witness (1950)--as well as one novel--Glass Mountain (1930)--and a book of short stories--Meek Americans (1925). His letters and papers are housed in the Library of Congress and at the University of Minnesota library.
Read more about this topic: Joseph Warren Beach
Famous quotes containing the word works:
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
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“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
—Sarah N. Cleghorn (1876–1959)