Works
He produced several volumes of his own. Malvern Hills was published in 1798, John the Baptist, a Poem, in 1801, Alfred, an Epic Poem, in the same year, The Fall of Cambria in 1809, Messiah in 1815. These pieces exposed him to the sarcasm of Lord Byron.
Against advice from Thomas Poole and James Gillman, Cottle, in his Early Recollections, chiefly relating to Samuel Taylor Coleridge (1837), enumerated his generosities to Coleridge and Southey, and entered into details of Coleridge's opium habit. ‘The confusion in Cottle's “Recollections” is greater than any one would think possible,’ said Southey; the book is inaccurate in its dates, and documents quoted are garbled. It has details on others such as Robert Lovell and William Gilbert. It has youthful portraits of Coleridge, Southey, Wordsworth, and Charles Lamb. A second edition was published in 1847 under the title of Reminiscences of Coleridge and Southey.
The appendix to the fourth edition of his Malvern Hills (1829) contains several essays, including an account of his tutor Henderson, a discussion of the authenticity of the Rowley poems, and a description of the Oreston Caves, near Plymouth, and their fossils. His correspondence with Joseph Haslewood on the Rowley manuscripts is preserved in the British Museum.
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Famous quotes containing the word works:
“They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.”
—Henry David Thoreau (1817–1862)
“For thou hast made him a little lower than the angels, and hast
crowned him with glory and honor.
Thou madest him to have dominion over the works of thy hands;”
—Bible: Hebrew Psalm VIII (l. VIII, 5–6)
“Do not worry about the incarnation of ideas. If you are a poet, your works will contain them without your knowledge—they will be both moral and national if you follow your inspiration freely.”
—Vissarion Belinsky (1810–1848)