Career
In 1924, Berger moved to New York, where he worked as a reporter and editor for ten years. In 1928, he began writing juvenile books, making his debut with Captain Bib, which was published in 1929. He published a total of twenty books, in addition to writing short stories and articles for publications such as Atlantic Monthly, The New Yorker, Esquire, Reader's Digest, McCall's, and The New York Times Sunday Magazine.
In 1934, he settled with his wife and daughter in Provincetown, Massachusetts where he tried to make it as a freelance writer. Berger had a hard time earning money and for about year lived in poverty until he found a job with the government-sponsored Federal Writer's Project. His 1937 Cape Cod Pilot became a success and enabled him to obtain a Guggenheim Foundation Fellowship the next year, which he used to write In Great Waters, a history of the Portuguese in New England. He received another Guggenheim Fellowship in 1946.
Berger, who wrote under the pen name Jeremiah Digges, went to Washington, D.C. in 1940 to become the editor of reports for the U.S. House of Representative Select Committee to Investigate Interstate Migration of Destitute Citizens. In 1941 he worked in the same capacity for the U.S. Senate Committee on Wartime Health and Education.
Berger was employed by the United States Department of Justice in 1942 as a speech-writer for the Attorney-General, Francis Biddle. From 1944-1947, he worked as chief speechwriter for the Democratic National Committee, where he was a special assistant to its chairman Robert E. Hannegan, and prepared speeches for him, as well as for various Democratic politicians, such as Harry Truman, Tom Clark, Henry Wallace, Lyndon Johnson, Sam Rayburn and Estes Kefauver. He also wrote a speech for Franklin D. Roosevelt Although the president died the day before the speech was scheduled, the speech was subsequently published and widely quoted. Berger also served as chief of press relations for the Allied Commission on Reparations in London, Paris, Berlin, Pottsdam, and Moscow during 1945. Between 1947 and 1950 he wrote scripts for daytime television shows. In 1950, he became a chief speechwriter for the March of Dimes, and from 1955-1968 its chief speechwriter.
He continued with free-lance writing throughout his life. His production also covered poetry and song lyrics, including a record called The Babysitters with Alan Arkin and Lee Hays. From 1960-1962, he wrote for The New York Times Magazine, McCall's, and others.
Read more about this topic: Josef Berger (speechwriter)
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