Career
Chan got his start by enrolling in the TVB Dancers' Training Class in 1985. Soon after graduation, he joined a few of the studio's troupes that would accompany popular singers during their live performances. He worked with artists such as Alan Tam, Leslie Cheung, and Anita Mui before being invited by a producer to make a record of his own.
In 1994, he made his film debut with Twenty Something. Chan has since received several Hong Kong Film Award nominations: two for his role in He's a Woman, She's a Man (1994), and one each for Heaven Can't Wait (1995) and Big Bullet (1996). With 1996's Young and Dangerous, Chan established himself as a mainstay of the triad genre. The film was a huge success, and led to nine sequels and spinoffs before the series concluded in 2000. In 2005, Chan starred alongside Jay Chou as Kyoichi Sudo in Initial D.
Musically, Chan is known for bringing a hip hop flavor to cantopop. With his recent releases beginning around 2002, he has rapped and added hip hop beats to his music. His hip hop style has brought him new fans, although some Hong Kong fans have accused him of acting "black." He continues to incorporate R&B and hip hop sounds into his music today.
Chan married actress Cherrie Ying on Valentine's Day, 14 February 2010, at Little White Wedding Chapel in Las Vegas, though they intended to have their reception in Hong Kong.
Read more about this topic: Jordan Chan
Famous quotes containing the word career:
“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (1889–1945)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)