Jonathan Frakes - Career

Career

For a time in the 1970s, Frakes worked for Marvel Comics, appearing at conventions in costume as Captain America. Frakes moved to New York City and became a member of "The Impossible Ragtime Theater". In that company, Frakes did his first off-Broadway acting in Eugene O'Neill's The Hairy Ape directed by George Ferencz. His first Broadway appearance was in Shenandoah. At the same time, he landed a role in the NBC soap opera The Doctors. When his character was dismissed from the soap, Frakes moved to Los Angeles, California and played guest spots in many of the top television series of the 1970s and 1980s, including The Waltons, The Dukes of Hazzard, Matlock, and Steven Bochco's Hill Street Blues.

He played the part of Charles Lindbergh in a 1983 episode of Voyagers! titled "An Arrow Pointing East". In 1983, he had a role in the short-lived NBC prime time soap opera Bare Essence (which also starred his future wife Genie Francis), and a supporting role in the equally short-lived primetime soap Paper Dolls in 1984. He also had recurring roles in Falcon Crest and the miniseries North and South before signing for the role of First Officer William T. Riker on Star Trek: The Next Generation. Jonathan appeared in the 1986 miniseries Dream West.

He has done animation voice acting, most notably voicing the recurring role of David Xanatos in the animated series Gargoyles, and he provided the voice of his own head in a jar in the Futurama episode "Where No Fan Has Gone Before". He had a small, uncredited role in the 1994 movie Camp Nowhere. He also reprised his role of Riker for a Next Generation cutaway on an episode of Family Guy that also featured his co-stars Patrick Stewart and Michael Dorn as their respective roles of Picard and Worf. Later, he again played himself on another Family Guy episode, where the all seven main TNG (plus Denise Crosby and Wil Wheaton) actors made voice appearances. He is also one of six Star Trek actors (the other actors being Kate Mulgrew, Michael Dorn, George Takei, Avery Brooks and Majel Barrett) to lend their voices to the video game Star Trek: Captain's Chair reprising his role as Commander William T. Riker when users visit the Enterprise-D bridge featured in the game.

Frakes is one of only two Star Trek regulars to appear on four different Star Trek series (Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager and Star Trek: Enterprise). (The only other regular to match or exceed that number is Majel Barrett-Roddenberry who appeared in all five television series.) He has also directed episodes in three of them (TNG, DS9 and VOY) and was a popular and innovative director on the Star Trek set, often finding completely new ways to shoot the show's familiar sets. His directing career has included the films Star Trek: First Contact and Star Trek: Insurrection. Additionally, Frakes was an executive producer for the WB series Roswell, directed several episodes and guest-starred in three episodes. His relationship with Star Trek is made light of in the episode "Secrets and Lies", in which the alien character Max auditions for a guest role as an alien for Star Trek: Enterprise.

Frakes appeared on the 1994 Phish album Hoist, playing trombone on the track titled "Riker's Mailbox". Frakes would occasionally perform on the trombone during his tenure as Commander Riker, drawing on his college marching band experience. He was also a member of "The Sunspots", a vocal backup group of Star Trek cast members that appeared on Brent Spiner's 1991 album Ol' Yellow Eyes Is Back.

Frakes hosted Paranormal Borderline, a television series at Fox, which dealt with the paranormal and mysterious happenings and creatures. In one episode, Frakes presented an interview of reporter Yolanda Gaskins with veteran astronaut Gordon Cooper, where they discussed the possibility of aliens having visited the Earth in the past. Overall, the show was criticized and pulled off the air after it was found out that footage showing a yeti from the Himalayas was purposely faked by the show and its producers. The "Snowwalker" footage, as it is known, purportedly shows a yeti as it is crossing through a valley in the Himalayas, walking in front of a Belgian couple who are traversing the area on skis. The network finally admitted the hoax, and Frakes distanced himself from the show. He hosted Beyond Belief: Fact or Fiction which also dealt in the paranormal world.

Frakes and Francis appeared together in Lois & Clark in the episode "Don't Tug on Superman's Cape" as a creepily too-good-to-be-true couple. He narrated the History Channel's That's Impossible.

Frakes has directed episodes of Burn Notice and TNT's Leverage.

Frakes works with the Workshops, the Waterfall Arts Center and the Saltwater Film Society, all located in Maine, where he teaches classes on film direction. He and Francis own a home furnishings store in Belfast, Maine, called The Cherished Home.

Read more about this topic:  Jonathan Frakes

Famous quotes containing the word career:

    I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.
    William Cobbett (1762–1835)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)