Setting
The series is set in the mid-1990s in an unspecified city. Decaying urban streets, shadowed back alleys and filthy convenience stores serve as the series’ backdrop. Crumbling and covered with litter and graffiti, everything is in a state of bleak decay, overlit by the neon signs of trashy consumer capitalism.
Johnny lives in a decrepit, single-story house with the street address 777. The house has an extensive labyrinth of tunnels underneath. Johnny uses the subterranean rooms as dungeons and torture chambers, as well as a storage place for corpses, though he also buries the remains of his victims. The tunnels also provide him with a network to various locations, such as his neighbor Squee's residence. Johnny perceives the layout of the house as constantly changing, though he does not state if this shifting is the result of the supernatural forces at work within the house or his own psychosis. Johnny states that he found the house and moved in some time ago. He also constructed an unidentified flying object landing pad on the roof. Throughout the series, there is no case where the authorities or the police are looking for Johnny, and seem unaware of his existence.
A later part of the story takes place in the afterlife. After accidentally shooting himself, Johnny journeys first to Heaven and then to Hell, and both turn out to have more in common with Earth than he expected.
Read more about this topic: Johnny The Homicidal Maniac
Famous quotes containing the word setting:
“We dont arrive at it by standing on one leg or on the first day of our setting outbut though we may jostle one another on the way that is no reason why we should strike or trampleelbowings enough.”
—George Gordon Noel Byron (17881824)
“The setting sun is reflected from the windows of the alms-house as brightly as from the rich mans abode; the snow melts before its door as early in the spring. I do not see but a quiet mind may live as contentedly there, and have as cheering thoughts, as in a palace.”
—Henry David Thoreau (18171862)
“We believe that Carlyle has, after all, more readers, and is better known to-day for this very originality of style, and that posterity will have reason to thank him for emancipating the language, in some measure, from the fetters which a merely conservative, aimless, and pedantic literary class had imposed upon it, and setting an example of greater freedom and naturalness.”
—Henry David Thoreau (18171862)