Setting
The series is set in the mid-1990s in an unspecified city. Decaying urban streets, shadowed back alleys and filthy convenience stores serve as the series’ backdrop. Crumbling and covered with litter and graffiti, everything is in a state of bleak decay, overlit by the neon signs of trashy consumer capitalism.
Johnny lives in a decrepit, single-story house with the street address 777. The house has an extensive labyrinth of tunnels underneath. Johnny uses the subterranean rooms as dungeons and torture chambers, as well as a storage place for corpses, though he also buries the remains of his victims. The tunnels also provide him with a network to various locations, such as his neighbor Squee's residence. Johnny perceives the layout of the house as constantly changing, though he does not state if this shifting is the result of the supernatural forces at work within the house or his own psychosis. Johnny states that he found the house and moved in some time ago. He also constructed an unidentified flying object landing pad on the roof. Throughout the series, there is no case where the authorities or the police are looking for Johnny, and seem unaware of his existence.
A later part of the story takes place in the afterlife. After accidentally shooting himself, Johnny journeys first to Heaven and then to Hell, and both turn out to have more in common with Earth than he expected.
Read more about this topic: Johnny The Homicidal Maniac
Famous quotes containing the word setting:
“The trees stand in the setting sun,
I in their freckled shade
Regard the cavalcade of sin,
Remorse for foolish action done,
That pass like ghosts regardless, in
A human image made....”
—Philip Larkin (1922–1986)
“When I consider the clouds stretched in stupendous masses across the sky, frowning with darkness or glowing with downy light, or gilded with the rays of the setting sun, like the battlements of a city in the heavens, their grandeur appears thrown away on the meanness of my employment; the drapery is altogether too rich for such poor acting. I am hardly worthy to be a suburban dweller outside those walls.”
—Henry David Thoreau (1817–1862)
“One of my playmates, who was apprenticed to a printer, and was somewhat of a wag, asked his master one afternoon if he might go a-fishing, and his master consented. He was gone three months. When he came back, he said that he had been to the Grand Banks, and went to setting type again as if only an afternoon had intervened.”
—Henry David Thoreau (1817–1862)