Personality
Unusual for a Mafioso, it was implied that Johnny Sack was always faithful to his wife, whom he loved deeply. If so, this would make him one of the only two married wiseguys in The Sopranos to stay monogamous, along with Bobby Baccalieri.
John drove a Mercedes-Benz S500 and later bought a Maserati Coupé and dressed stylishly. His usual calm demeanor and respectful way of carrying himself made him suitable for the role of underboss. He was also almost never seen not smoking a cigarette.
John was a walking paradox. His enigmatic expressions while in deliberation were contrasted by his decisive expression when giving out orders. He was in control of those around him. It can be noted that Johnny Sack would rarely visibly display his rage or irritation, except when his wife's reputation was involved. In most other cases, Johnny chose not to show his feelings, usually giving just a nod to Tony in a way of saying, "you're welcome", but rather acted behind the scenes to take his revenge or undermine people. This would mean he was invisibly pulling strings in certain situations to sabotage people or deals. Also, his loyalty, even in an organized crime context, can be seen as flexible. Depending on the opportunity, he was prepared to either help or at least not try to prevent hits on Junior Soprano, Tony and Carmine.
When disputes between the Soprano and Lupertazzi families occurred, John was publicly almost always the voice of moderation. When Tony and Carmine both declined to back off in their dispute on the Esplanade deal, Johnny tried to convince Carmine to still change his mind and not resort to violence. For Johnny, it was the profit of all involved (including his own) that mattered most in such cases, not honor and respect.
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Famous quotes containing the word personality:
“A personality is an indefinite quantum of traits which is subject to constant flux, change, and growth from the birth of the individual in the world to his death. A character, on the other hand, is a fixed and definite quantum of traits which, though it may be interpreted with slight differences from age to age and actor to actor, is nevertheless in its essentials forever fixed.”
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