Johnny Marr - The Smiths

The Smiths

The Smiths were formed in early 1982 by Marr and fellow Manchester resident Steven Patrick Morrissey (he had not yet abandoned his first and middle name), an unemployed writer. Marr's jangly Rickenbacker and Fender Telecaster guitar playing became synonymous with the Smiths' sound. Marr's friend Andy Rourke joined as bass player and Mike Joyce was recruited as drummer. Signing to indie label Rough Trade Records, they released their first single, "Hand in Glove", on 13 May 1983.

By February 1984, The Smiths fanbase was sufficiently large to launch the band's long-awaited eponymous debut album to number two in the UK chart. Early in 1985 the band released their second album, Meat Is Murder. This was more strident and political than its predecessor, and it was the band's only album (barring compilations) to reach number one in the UK charts. During 1985 the band completed lengthy tours of the UK and the US while recording the next studio record, The Queen Is Dead. In 1989 Spin magazine rated The Queen Is Dead as number one of "The Greatest Albums Ever Made". Spin was not alone in this designation—numerous periodicals rank The Smiths and their albums, especially 'The Queen Is Dead', high on their best ever lists. NME, for example, has dubbed the Smiths the most important rock band of all time.

However, all was not well within the group. A legal dispute with Rough Trade had delayed the album by almost seven months (it had been completed in November 1985), and Marr was beginning to feel the stress of the band's exhausting touring and recording schedule. He later told NME, "'Worse for wear' wasn't the half of it: I was extremely ill. By the time the tour actually finished it was all getting a little bit... dangerous. I was just drinking more than I could handle." Meanwhile, Rourke was fired from the band in early 1986 due to his use of heroin (though he was reinstated in short order). In early 1987 the single "Shoplifters of the World Unite" was released to chart success, as well as mild controversy and concern from parents.

Despite their continued success, personal differences within the band – including the increasingly strained relationship between Morrissey and Marr—saw them on the verge of splitting. In August 1987, Marr left the group, and auditions to find a replacement for him proved fruitless. By the time Strangeways, Here We Come (named after Strangeways Prison, Manchester) was released in September, the band had split up. The breakdown in the relationship has been primarily attributed to Morrissey's becoming annoyed by Marr's work with other artists and Marr's growing frustration with Morrissey's musical inflexibility.

Referring to the songs recorded in the band's last session together (B-sides for the "Girlfriend in a Coma" single, which preceded the album's release), Marr said "I wrote 'I Keep Mine Hidden', but 'Work Is a Four-Letter Word' I hated. That was the last straw, really. I didn't form a group to perform Cilla Black songs." In 1989, in an interview with young fan Tim Samuels (who later became a BBC journalist) Morrissey said that the lack of a managerial figure and business problems were to blame for the band's eventual split.

In 1996, Smiths' drummer Mike Joyce took Morrissey and Marr to court, claiming that he had not received his fair share of recording and performance royalties. Morrissey and Marr had claimed the lion's share of The Smiths' recording and performance royalties and allowed ten percent each to Joyce and Rourke. Composition royalties were not an issue, as Rourke and Joyce had never been credited as composers for the band. Morrissey and Marr claimed that the other two members of the band had always agreed to that split of the royalties, but the court found in favour of Joyce and ordered that he be paid over £1 million in back pay and receive 25% thenceforth. As Smiths' royalties had been frozen for two years, Rourke settled for a smaller lump sum to pay off his debts and continued to receive 10%. Morrissey was described by the judge as "devious, truculent and unreliable".

Both Marr and Morrissey have repeatedly said in interviews that they will not reunite the band. In 2005, VH1 attempted to get the band back together on its Bands Reunited show but abandoned its attempt after the show's host, Aamer Haleem, failed to corner Morrissey before a show. In December 2005 it was announced that Johnny Marr and the Healers would play at Manchester v Cancer, a benefit show for cancer research being organised by Andy Rourke and his production company, Great Northern Productions. Rumours suggested that a Smiths reunion would occur at this concert but were dispelled by Johnny Marr on his website. What did eventuate was Rourke joining Marr onstage for the first time since the Smiths broke up, performing "How Soon Is Now?".

In an October 2007 interview on BBC Radio Five Live, Marr hinted at a potential reformation in the future, saying that "stranger things have happened so, you know, who knows?" Marr went on to say that "It's no biggy. Maybe we will in 18 or 32 years' time when we all need to for whatever reasons, but right now Morrissey is doing his thing and I'm doing mine, so that's the answer really." This was the first indication of a possible Smiths reunion from Marr, who previously had said that reforming the band would be a bad idea.

Marr's guitar playing "was a huge building block" for more Manchester bands that followed The Smiths. The Stone Roses guitarist John Squire has stated that Marr was a major influence. Oasis lead guitarist Noel Gallagher has called The Smiths an influence, especially Marr whom he described as a "fucking wizard", also stating that "he's unique, you can't play what he plays." He also stated that "when The Jam split, The Smiths started, and I totally went for them." Radiohead guitarist Ed O'Brien has acknowledged that he idolised The Smiths in the 1980s; the band pays homage to The Smiths in their song "Knives Out". After O'Brien played with Johnny Marr in New Zealand in 2001, he acknowledged that Marr was the reason he had picked up a guitar as a teenager.

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